Summer 2023 | Poetry
Emily Alexander
Three Poems
Bigger Problems
The amount of hahas I sent Halle
was inordinate and unnecessary.
I hope she doesn’t stop adoring me.
I hope the sinkholes don’t pull the whole highway in
and the unassuming zoo just off the exit
I wandered through between the giant hands
of my parents when my hair was highlighter yellow
and I liked best the flamingos’
bent knees. To write good poems
Seth says one must do things.
I fill a glass jar with water.
I perform a little dance while putting on my pants.
I think of elbows and cheese shops and the frosted tips
of the Alps like a doily poking out from the city
where Janey is telling me
the exact temperature
of a large and precarious glacier.
In the city no one knows how loneliness
is the open untilled space
between houses, how far apart the houses are
in a town with no airport and an annual high school sports star
with dreams of unlikely grandeur.
Once my solitude was momentous
and resolute every time it snowed,
a feeling owed, like all optimistic misinterpretation,
to a pretty happy childhood, parents
who accrued quite a bit of debt
giving me everything I wanted more or less
and not knowing what tea bagging was until college.
These days I’ve got bigger problems. What being
for example a good person means. If it counts
just staring at the neighboring roof
collaged onto sky wondering
which configurations of doom await
me and everyone I can stand only in small doses
or if it’s something more lofty
like pulling the sea back from the long eroded shore
which I’ve tried and failed and failed
several times before.
Self-Portrait at 26
after David Berman
There’s a momentary hole
in the floor formed by shadow
and zoning out
here at C4 in SFO
I’m thinking of pistachio
ice cream and what
I read in this Vox piece
“the stifling reality
of human existence is that you
are perpetually yourself”
about Starbucks
of all things across
the corridor I watch a woman
sip coffee there in the silent
ventriloquy of distance
I’m 26 today
assuming strangers’ political
affiliations based
on luggage size and their varying
loudnesses stop
being so presumptuous I say
or my mother says
gallantly through me
I used to be kinder
I think and dumb
back before my feelings
became this tired cycle
of two or three unrealized
desires now I know
what really happened
in the Cold War and other
obscure swept under calamities
I read many books
and instantly forget the details
so I’m always mad at parties
but unable to say exactly why
I retain only sentimental
memories and feeling
home helmeted heading downhill
through the easy green
lull of mid-June Jade’s
octopus tattoo swimming
ahead our future some bright
imperative we’d grow right
into I’m hopeful I admit
the opposite hypothesis
I believe lately
is just a new version
of youthful misconception
one day I’ll think was so stupid
to believe when I’m well-dressed
and wedded with several bank accounts
all for specific purposes
I guess it’s true you’re less
likely to fall out of a plane
than encounter a moose
eating abandoned takeout
in the supermarket parking lot
which really happened
once in a wild western town I love
and am not headed for though
perhaps you’re closer
to a plane crash
than becoming a whole new
person with a more fashionable
lexicon and fewer hangovers
you are perpetually
yourself with a slight headache
and chapped lips
it’s not that I want another age
I’d just like to be better
at this one they’re calling my name
over the intercom
I got the numbers wrong
the gate’s closing
I’m not even close
I Walk One Way Then I Walk The Other
I could not become pliant even walking forever
under the unbearable trees trying to want less
or less impossible things. I hate the furious green
of these suburban yards, all the times I wished new cadences
of knees and nonsequiturs then turned
just a little older the city terrifying and normal.
All the lights of Manhattan go out like a crowd
I imagine leaving the stadium, and I’m in not New York
past the tiny factory near the single roundabout
the lengthening spaces between houses,
orchards fruitless hallways the dark wobbles through.
A house of mirrors for miles is my mind
or a slab of garrulous matter but the embarrassment
of my heart is my heart. I should be good
and funny and light by now, a gorgeous goddamn beacon
mixing martinis for everyone bathed in the good funny light
of inside a room. I turn back.
You can never really get far enough
even here, mountains and no one for timezones,
not if you want like I do want to return.
And if the fat hens fenced in fields can enjoy
their dumb little artless lives surely it’s possible.
All I need is a rent-free coop and everything new
in the almost dark in the other direction.
Emily Alexander is from Idaho. Her poetry has been published in journals such as Hobart Pulp, Penn Review, and Conduit, and she has written for The Inlander and LitHub. She works in restaurants and lives in Brooklyn.
Emily recommends, Was It For This by Hannah Sullivan; A Girl’s Story by Annie Ernaux; and And Our Faces, My Heart, Brief As Photos by John Berger.