Summer 2023 | Poetry
Rowan Taigel
Three Poems
The Curve
Late afternoon, as she lazes
at the grassy edge of the cul de sac,
those teenage boys
come in their muscle cars, hooning
up the road, a wall of engine noise,
dust and testosterone.
Her mother’s silhouette
appears at the window above the sink
radiating outrage as they roar
around the bend towards her,
three cars with wide-set tyres
bodies low to the ground
devouring the road so fast
they might suck her in
as they hit the curve, time slows-
the rear of the lead car pivots
in a glistening arc
and holding the driver’s gaze through
the hot spray of gravel, her cheeks
flush at his slow smile and the scent
of rubber, petrol and power
they are gone in an instant
and she’s left panting
in the ringing silence,
warm pulse between her thighs,
refusing the hook
of her mother’s eye.
Mothers & Fathers
we lay on the bed facing
each other like grownups after
he rolled off me sending
eddies of dust motes upward
we felt beyond our years
sepia beams from the little window catching
the overturned apple crate for a table,
dented metal teapot and china teacup,
with its cracked, grey lifeline
as we’d rehearsed, I’d put the baby to bed
he’d tell me about his day at work
I’d bring him cups of tea
in the abandoned shed we’d claimed for a hut
then I’d lie down on my back and wait
to feel his body fill my hollows like concrete
he’d kiss me, move his tongue around
the way French people do, soft, insistent probing
the newspaper stuffed in the crack between
wall and ceiling, pale, like the underside of an arm
air pressed from my lungs, he lay on top
of me on the mattress beside
the mauve satin curtain I’d sometimes pull
away from the window and tuck around myself
like a tent, the inside of a hot air balloon,
a parachute before catching a fall.
Catch and Kiss
Before a bullrush of boys
she ran, elbows bent, palms
held vertical in surrender
and I followed her
our pathetic zigzagging
a sexy self-sabotage
glancing back over our shoulders
lips glossed pink like secrets
bangles jingling on electrified arms
she “tripped” before I knew it
and as I overshot her mark
my shoulders braced, anticipating
hands, fingers, hot breath, mouths
I slowed and turned, alone.
Arms and legs pinned into
the rucked grass, her throat
giggled as the cutest boy in school
planted his lips over hers
the primal white of her eyes
just like our wild mare’s
in the back paddock before dad
broke her in
after they let her up, we ran
away towards the classroom
away from the backdrop of
cheers and high fives
panting, she told me how lucky
she felt that he’d kissed her
my mouth moved with a girl’s voice
I no longer knew,
So lucky, I said...
so lucky.
Rowan Taigel is a New Zealand poet, based in Nelson. She enjoys writing in cafes on the weekend, accompanied by one, or more, double-shot flat whites. Her poetry has been published in Landfall, Mayhem Literary Journal, Takahe Journal, Shot Glass Journal, Aotearotica, Catalyst, After the Cyclone (NZPS Anthology, 2017), Building a Time Machine (NZPS Anthology, 2012), and she has been a featured poet in A Fine Line, (NZPS). Rowan was a guest poet at the 2018 Christchurch Word Festival in a session alongside Bernadette Hall and Hollie McNish, and has been a guest poet on the podcast All Good Poems Wear Travelling Shoes (2018). Rowan received a Highly Commended award for the 2020 Caselberg International Poetry Competition with her poem 'Catch and Kiss', and won 3rd place in the New Zealand Poetry Society International Poetry Competition in 2012 with her poem 'Swimming With Frame'. She also won the Wintec Open Poetry Competition the same year with her poem 'Indelible Ink'.
Rowan recommends: All the Light We Cannot See - Anthony Doer; Atlas of the Heart - Brene Brown; and Women Don't Owe You Pretty - Florence Given.