Forrest Gander
Summer 2024 | Poetry
Five Poems
*
Wiper blades splashing me as
the gas station attendant hands me my change.
When our friend’s divorce was finalized and
I helped her move to an apartment, she turned
and asked me where I thought
she should place the placenta jar.
Out of friendship. Out of whatever
my services make of friendship.
What is it you’re thinking, your forehead knotted up like that?
I was thinking of you.
What were you thinking?
From the rain-blurred window of the notions shop
where you liked to go, a kneeling Elamite bull-god,
carved from alabaster, holds out a ritual vessel
to the torrential oncoming, a world forever in motion.
He must have watched you too pass by.
I’m staring at a photo of myself as a child.
Who IS that person now? Some infant
with receding gums, a widow’s
peak, and hair swirling inside his ears.
Proof of an unendurable afterwards.
I just want it to be real, you said.
But no matter how I tried,
I couldn’t shake the unreal out of me.
A single coyote howling from Eden Isle.
*
But doesn’t thinking happen
everywhere? Not only inside
the human mind. What stays
autonomous from our concern?
You tell me a heartache is not an object of perception.
I wonder. But what do I know of your heart?
Experience is first a matter of feeling.
Even the feeling of not having a feeling.
The tokens of love we exchange
don’t express love’s meaning so much
as its ineffability.
So my experience of you is infinite. Never
contained within your dimensions.
2 B True
How you sit on the kitchen counter talking excitedly—
leaning forward, your elbows turned out, palms
flat on the polished granite, your fingers
buried below your posterior thighs.
It isn’t through my ears I hear you.
I find myself listening with all my body.
We search out in each other’s gestures
and expressions some evidence of what
goes unspoken, of what has remained
invisible inside each of us.
*
All this theorizing about the erotic—
an overlong introduction to no one at all.
But the wonderment that came over me at first sight of you.
I remember it in slow motion. My impetus jammed, slipped
into deep reverse. I stood there blinking like some animal
just released from hibernation.
Your intelligent gleaming voice, so often staggered with high laughter.
I was taken somewhere I haven’t returned from.
Never again the same person.
Dude, you are purely titty-smacked!
Your charmingly thick calves and ankles.
Amazed. Like an insect blown by an updraft onto a mountain snowfield.
And whether we are aware or not, these years later,
the manner of our familiar, daily exchanges,
our movements, even our separate moments
of solitude are persistently relational. There’s
a sub-level attunement between us. Our interactions
dilate, contract, and extend. And the feeling of all that
is the measure of how we’ve lived.
It’s called the long encounter.
And still, the aperture hasn’t narrowed.
Had I only loved before with reservations?
I married a pear tree.
*
Even when he’s far from her, her voice
remains with him, within him. Sometimes
he hears himself speak to himself. In her voice.
What is it you’re thinking, your forehead knotted up like that?
I was thinking of you.
What were you thinking?
We may appear to survive
even after the substance of our lives
gives way like a tent cloth
collapsing with a soft huff.
The core hollows out, but the tree lives on.
So it was until I swan-dived into you and
into you. And you stood up through me.
From Singapore she sends him a photograph
a friend has taken. She’s sitting at a small pool
set with coral tiles while an invisible swarm
of goldfish defoliates the balls of her feet.
He spends the night sleepless, failing
to keep from rewinding and replaying her voice message.
As if something not being said was all he could hear.
Around him, the hillsides are laned
with burnt trunks and their shadows.
*
The coffee capsule still lodged in the machine,
the used cup precarious near the edge
of a bureau across from the bed
with its white tumble of duvet
and sheets. Just a sprinkle of urine
on the toilet seat and the closet agape
as I close the door on another unremarkable
hotel room in a place charged with memories
I cannot metabolize.
Maybe Pascal had it wrong. It’s not
that our problems stem from an inability
to sit quietly in a room alone,
but that our problems, so
precisely coincident with us,
suck up all the air in the room,
leaving us no choice but to flee
or be expunged.
Forrest Gander, born in the Mojave Desert, lives in California. A translator/writer with degrees in geology and literature, he’s received the Pulitzer Prize, Best Translated Book Award, and fellowships from the Library of Congress, Guggenheim, and US Artists Foundations. His book Twice Alive focuses on human and ecological intimacies. In 2024, New Directions will bring out his long poem on the desert, Mojave Ghost.