David Kirby
Summer 2024 | Poetry
Two Poems
Rollo’s Got a Lot to Say
Poor Rollo! He’s wheezing away at my feet as I read the newspaper,
though as he was feral till last week, he’s not even my cat, nor is
his name Rollo, since that’s just what we call him. Rollo looks like
the love child of a dustmop and a Whoopee cushion, and I’m guessing
that he came inside so he can die where it’s warm. I’ve finished the news
and sports sections, meaning the obituaries are next. I love obituaries—
you? Obituaries are about life, not death. What could be more consoling?
Mary Barnes lived for 86 years! And it says here that 23 of those were
spent in the loving presence of her soulmate, Hal. Malcolm Gant wasn’t
around quite that long, but look what he accomplished: B.S., M.S, and PhD.
in chemistry, Teacher of the Year, mentor to the young, loving husband
and father, faithful servant of the Lord. Obituaries make some people nervous,
but if you’re reading them, you’re still here, even if no one else knows it.
Obituaries don’t celebrate the living: they’ll tell you that Adelaide Williams
expired at the age of 62 but not that Alice Hopkins is hanging in there
at 79 and Ted Moncrieff is still going strong at 94. Lucky Mary Barnes!
She doesn’t have to listen to all the crap dished out by know-it-alls
any more: how to live longer, how to live better, how to make love,
how to make money, how to make love to your money. Advice is meant
for the young—the old don’t have time to act on it. Seneca gave
the only advice that makes sense to old folks when he said, “Anyone
who dies with the same contentment he had at birth has become wise.
But as it is, we tremble as the danger approaches: our minds fail us
and our faces grow pale. Tears fall but accomplish nothing.
What is more disgraceful than being overwhelmed with worry
at the very threshold of tranquility?” Then again, the same Seneca said,
“If old age begins to shatter my mind and destroy parts of it—
if I can no longer live but only breathe—then I will jump free
from that crumbling and collapsing edifice.” Look out, citizens of Rome,
here comes Seneca. Fore! Somebody else—Plato, maybe,
or Sinatra—said that as far as the afterlife goes, things’ll
work out either way: if the soul is annihilated, there will be nothing
to experience suffering, and if it survives, off it goes on a new adventure.
Here, Rollo, try some of these turkey morsels. Rollo’s legacy
is the last thing that Rollo is thinking about. Rollo knows
there is knowledge beyond language. That language is not primitive.
It’s precise. It’s our language that’s the approximation. Animals
have this knowledge. We have it, too, somewhere, but it’s harder
to access: when we tell ourselves that words are all that matter,
we lose touch with the knowledge that lies beyond them. Rollo knows
what’s happening the way all animals know, like the bear who knows
to rest in winter and the bird who knows to fly south. Rollo is just part
of a long march, and he knows that or at least seems to, just as he seems
to know that there’s nothing outside of the march, that nothing
can be lost. The seventy-one lost plays of Aeschylus will appear again
or be written by someone else. Meanwhile, you say you miss
your mother, but don’t you talk to her every day? Rollo knows that
the love I have for him is enormous, and he’ll carry it even as
he passes from this world. It will be the last thing he feels—
after breath, after senses, after his last heartbeat. After everything,
he’ll still have love. That’s the most that we can hope for. Power
like that doesn’t vanish. It’s like the sun as it slips under
the horizon; even if you can’t see it, it’s there. Death isn’t the end.
Death is a question to which your life is the answer, and you write it
every day. Did you drop your pen? Someone will pick it up.
As if anyone could improve on what you’ve written already!
Why, what you’ve written already outstrips anything set down by
the ancients, even if no one knows it. Even if no one knows it yet.
Life is Easier Than You Think
You, me, that guy over there: we need all the help
we can get. Not James Bond, though. James doesn’t
need our help. James just brushes off the snow
or sand or aspen needles (depending on whether
he’s been in the mountains or the desert or an Alpine
forest) and smooths down his brilliantined hair
or adjusts his goggles (depending on whether
he’s going into or onto or leaving a casino
or ski slope) and flicks what appears to be a morsel
of the recently deceased villain’s brain off
the sleeve of his scuba outfit or camo jacket or tux
(depending on whether he’s been in or on or will be
in or on the ocean or the Alpine forest or ski slope
or casino again) and continues toward the next phase
of his adventure as you turn to me and stage-whisper,
“What if that were us? We’d be helpless!” That said,
life is easier than you think. There are only two rules.
The first rule is that when you make your sandwich,
be sure the peanut butter and jelly go all the way
to the very edge of the bread. If you go over, no biggie:
you can always lick your fingers. The second rule
is to pay always for the person behind you in
the drive-thru. Don’t count the number of passengers.
Don’t look at the other car's bumper stickers. Just pay,
and don’t take your time picking up your own order
in hopes of getting a wave or horn tap in thanks.
Just keep moving forward in the line. Do you think
James Bond would wait around for a wave
or a horn tap? I should say not! The question is
whether or not he would pay in the first place,
the answer to which is yes, since he could save the receipt
and give it to Miss Moneypenny for reimbursement.
I bet working for MI5 would be fun. All that travel!
And your meals paid for. See? You, too, can be a hero.
David Kirby teaches at Florida State University. His The House on Boulevard St.: New and Selected Poems was a finalist for the National Book Award. His latest books are a poetry collection, Help Me, Information, and a textbook modestly entitled The Knowledge: Where Poems Come From and How to Write Them. Kirby is also the author of Little Richard: The Birth of Rock ‘n’ Roll, which the Times Literary Supplement described as “a hymn of praise to the emancipatory power of nonsense.” He is currently on the editorial board of Alice James Books.