Suzanne Richardson

Summer 2024 | Poetry

A MATRILINEAL HISTORY OF HUFFING

1991

On my bedroom closet floor, feet squirm

in wool tights. Stroking my horse stuffed

animal’s button eyeball with my big toe.

Phalanges curling and uncurling to the rhythm

of my breath.

            Uncapping/gasping the thick  

markers clean/wise-wide/shots of white/

blank up the mind/vacuum light/thought

windows lock/tighten/tourmaline/October/

gashes in the brain/

Careful and private,  

once or twice coloring my left nostril black.

Placing the markers back in my mother’s

bedside drawer she kept some jewelry

safety pins Vaseline a box of my aunt’s teeth.

The twisted mighty things.

The crooked dentist

in town pulled them all when she was only sixteen.

Sometimes I took the teeth with me into the closet.

Because who really wants to be alone when you’re

just one big nose that wants to sniff the world up

inside you.

 

2007

Bucharest at night down the cobblestone

streets we see long shadows stroke

 

back and forth along the walls like

monster’s teeth opening and closing.

 

It’s gangs of wild dogs and teenagers.

We’ve been warned. They both run in

 

packs. The teens run in leather coats

holding socks over their mouth and noses.

 

Like rings of saturn, silver spray paint

circling their faces. Devotion to gulping.

 

How swallowing can paint your whole face.

I know it well. We passed one girl coming up

 

for air. Her mouth chrome blazed in a trail

of don’t give two fucks. Her eyes growled at me.

 

2017

That psycho dentist they all call “Carbocaine” shows up to the two-day party with a tank of nitrous and furry pink cowboy hat. He spanks the tank like a demented sex clown while filling balloons. He can’t shut up about parties in Ibiza. You can hear the latex snapping on the dance floor over the music. Ever see people dancing while kissing balloons? One guy leans in to tell my boyfriend he wishes he had a girl like me. I am sucking down big hits and laughing hysterically against the wall. Carefully watching the lights go on and off inside me with each pull. A girl like me? A twinkle twinkle little star girl? I’m not really here girl? A girl who slurps gas like white wine? A girl who lets her lungs pill? Everything is funny. Especially that.

 

1963

Long before I was born, my aunts

were a pair of farmgirl psychonauts.

 

Found in a field

passed out like dead piglets

 

draped on the back of the tractor,

one’s nose still in the gas tank.

 

They had uncapped, straddled,

taking turns giggling and leaning

 

in until almost stone-souled. Close

to gone, but not quite. Like me,

 

they cranked out, sailed inhalant

seas, came back to tell the story.

Suzanne Richardson earned her M.F.A. in Albuquerque, New Mexico at the University of New Mexico. She currently lives in Binghamton, New York where she's a Ph.D. student in creative writing at SUNY Binghamton. She is working on a memoir, Throw it Up, and a full poetry collection, The Want Monster which was named a 2024 finalist for the Saturnalia Book Awards.. She is the current nonfiction editor for Harpur Palate. Her nonfiction has appeared in New Ohio Review, New Haven Review, Rejection Lit, and No Contact Magazine. Her poetry has appeared in Bomb Magazine, Gulf Coast, Poet Lore, and DIALOGIST. Her fiction has appeared in Southern Humanities Review, Front Porch, and High Desert Journal. More about Suzanne and her writing can be found here:https://www-suzannerichardsonwrites.tumblr.com/

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