Tony Trigilio
Summer 2024 | Poetry
Three Poems
Confidence is Prick Weak Since Last Summer
Confidence is prick weak since last summer
and our colonial footpath is in a tizzy.
The idiosyncratic garden, the litigant tear-
jerker—right on par from torch to boulevard.
Maybe the deadbeat will pulse something off.
Soviet Florida and Cincinnati will not be happy.
“The revolutionary party must hold together
in dialectical unity two levels of force and consent,
authority and hegemony, violence and civilization,
agitation and propaganda, tactics and strategy.”
No creepy-crawly, half-sister configuration.
No decent footwork squawked by any mechanism.
A nap, the sixth tease at the stripper pole:
our airlift is likely to stay, indisposed to footnote.
The War on Christmas
A self-starting motorboat giggles the still
lake, pulling away after midnight mass.
Every single chapel grows tender, puts forth
leaves, fulminates. Pronounces itself taller
than any heaven the retina can detect.
In the churchyard, we hoard cupfuls of thistle,
craving the dope of eternal lilt. How tall we can
become, how brave we think we are, praying,
mittens held above our winter pom-pom hats.
We scamper in humble confinement or donate
what’s left of our stash to the rosy-cheeked,
jolly old maniac who distributes gimmicks
to kids posed before the tree with AR-15s.
We understand the past by tampering with it.
To Treat Inoculation as Innuendo
To treat inoculation as innuendo makes
no sense at all. “Nobody should be forced
to cure the body if they’re not OK with it.”
Welcome, anti-vaxxer, you can plug
the sundial anywhere you find an outlet
in the portico. Transistor radio batteries
are hiding in plain sight in the kitchen
junk drawer of the waterproof shack.
All it takes to strip the trees is the waddle
and stroll of a patriot. “The Renaissance
actually was an insurrection.” Nobody
should be forced to age outside the demo-
graphic, longing for the honey compass
and carnival, if they’re not OK with it.
Tony Trigilio’s newest book is Craft: A Memoir (Marsh Hawk Press, 2023). His recent books of poetry are Proof Something Happened, selected by Susan Howe as the winner of the 2020 Marsh Hawk Press Poetry Prize (2021), and Ghosts of the Upper Floor (BlazeVOX Books 2019). A volume of his selected poems, Fuera del Taller del Cosmos, was published in 2018 by Guatemala’s Editorial Poe (translated by Bony Hernández). He is a Professor of English and Creative Writing at Columbia College Chicago.