Matt Flores
Summer 2024 | Poetry
Three Poems
To see the steps
move somewhat back
to time on its bedded seams. it means where to stay supposedly
in being with the plan’s supposed to be. i am and i’ve been
thinking formulas towards the balm—the hard do not and need
to walk. awhile – having is thought’s supposition in rain.
anything for something inside the hide of bark. behind for
just a little break. ask at least for a crack of branch, a welt
of dew to chew. and I wanted you like that—inside flowers
casked in concrete – the conviction like gender calls to
surface hot as desert-sun. i respond as bellflower on columns
of its own sway, yawning dreams. the connections to past callings
back for lovers, catharsis as private world of genocide accented in parts
brought with it the bow of competition, in love wracked scents.
units of prescience per the verse. throat’s schism invocation sent
inside the waking up unlike heat.
Midway
Indeed, there was an invasion. A wore out home and murder.
The somber trials in rural Texas whet yearning. Yearly loss that
hears
submission as cows and alcoholics now that the walls are
overlooking.
Two pews imbue studiousness as groups of wires. Don’t proceed
so no one else can overhear it as warning – clawing of spatial
others’ oil inheritances craning passively past ranches, overcast
convections – each meddling with unremarkable tools.
That edge above anticipation says bestial experiences instructs
a family to return to trees. White flowers’ southern graze. Through
teachers that led out so many wishes to project endearment
with ambitions, complete the errands. Say my mother’s name
in an emergence of rooms with chords, doors, a still life
that dopplers fruit of questions asked. Why is it in
amicable threads, going down as concertina sleeplessness bracing.
Desk
Within certain spaces Fanon still reaches for the left drawer. Lull from a cigarette
establishes goals outside the opaque, full on the shelf he is an island. Drenched
in lamina. Being soon sequins itself on the arm of an absolute self. His body turns
to me, whole looks within. This schema I am curious about as the life I live in
deserts and planes. We forget the suspects inside movements; how does one
mourn on this white winter’s day? My desk with fingernail imprints I can’t
remember placing. Shimmering together an idea that was never mine to begin
with. It’s the moon encircled below my reach through the edges, that this clarity
of revolution is deserted for a seat at the table.
Matt Flores is originally from South Texas and has received fellowships and residencies from the Mellon Foundation, Vermont Studio Center, the Ideafund, and the Virginia G. Piper Center. Their published work can be found in Gulf Coast, Poetry Society of America, Defunkt Magazine, and Houston Arts Alliance. They currently live in Phoenix.