David Lau
Summer 2024 | Poetry
Fires
Night wind like a wedge
cleared the sky of heat.
Panicked with sleeplessness,
I investigated the window, the stars
were distant monads
against a nymph.
A sound shower,
I picked up a hatchet and met
a hellion of fasting-moving arcus roll cloud.
In this dry torment I counted lightnings,
the Santa Cruz Mountains, nothings
the kabuki player called
from off stage
through a gallon
of make believe.
He wore the fire mask
as thin smoke columns
in a locked car. We evacuated to LA,
found air orange as fires
volcano-ed that glowing resonance
beyond all meaning. Death feared our features,
which were Highway One
and many-structures-lost embers.
The forms ignited two centuries of same old
buildings, mass parties
framed like the kit home. We were left
with bootlegged dialectics—spare parts
in the burn scar,
subatom, motherboard,
soft wheels, trucks, new skate deck—
the odd-angled ship-in-bottle
but possible.
The laborer’s basso profundo
began at the gate of the river
to feed red infrastructure, soldier graves
where the writing on the wall blazed
like Ahed Tamini angry abroad in the arcus air.
Hard with ash we watched
smoke shield the peak.
It concentrated to emblems,
fire lines backed up by flame retardants
amidst the cultural accelerants,
dark hills green blue now
combustible brown redwood
beetle eaten section
pasted with pamphlet and poster.
They displayed Heroes’ Hill unreachable, esoteric
except with this ghost
column of Angolan fighters
reinforced by Cuban artillery.
The forest was
surrounded in the last instance
aflame flamboyant firenado,
scandalous decadence up against the wall.
The graffiti read no snitches nephew
at the Taco Bell on Pacific,
sign purple like a burning
tree passed
around a Food Not Bombs
table under the shade tent from Costco.
We did not run this town,
true association,
when the silent forest man,
teeth bead maker, white whale chaser
came to press us.
He dug up Antigones
around the different organized chokepoints
of controlled burn, remote firing squad.
Blubber heated the kiln near
torch aloe bulked up in mounds.
The fire was outside the gates,
then it was the town.
I rode out with harriers against
the fetishized discourse
mongers with card readers
I did not internalize.
I remained unincorporated
Santa Cruz County, City of Vernon,
Salton Sea, Tehachapi, Tulare.
The panic became fire, invisible contagion
on sundowner wind,
roasted plague town, while re-dismembered
death in life ended the meeting.
The pitch, fertile and condor,
ran with switch grass under the cardboard,
a minimum space time,
the real pithy and calm, those blocks after the riot.
Tubbs Fire, Windy Fire
Sequoias on fire.
The oldest living rings
blackened with clicking
bump stock of the dealer’s gun.
The Uber driver took us into
the tree hollows, this blasted furnace,
its canopy spreading fire lichen.
Through the enemy,
we vacated the sky city futurist ideal.
We risked dissonance,
the eagle nest in the river mouth,
the no parking sign for a street of RVs.
With one thousand cherry trees in the middle
of the kingdom far from the law
and armed only with our knives,
how did we ever get out?
The people in the fire came for us.
They hired the ganja pilot
post-production later dissolved.
I was born shrooming on the side of an LA freeway.
There was nowhere you could run
that wasn’t tailpipe and crystals
of angry gnomes.
I was bathed by the nurses who combed my hair.
An hour later one of the younger ones
was down, so we ate a little more.
We were shopfloor,
a little cheaper,
the burning core.
We sipped on this clip.
Muons in frisson
added detail to the scale
in the weak
arms shipment. Then the water
came, hills green upside
down, and Pilarcitos Creek flowed
Moore Creek, Laguna Creek, Yellow Bank.
Flame sucked marrow from claw.
They kept her
heart beating with champagne.
My name and I lived in a god.
I said everything I forgot
in the fire when the coast
turned to desert. In time
there rose the redwoods bombed back
by storms. Balls of yellow and blue, the trees
turned gray matches, moist moss
in the eucalyptus returned. The creeks Liddell
overflowed the ocean. They called him
Ismail Haniyeh. He was killed in the Battle
of Salamis long ago,
antiquity of late this onetime.
My writing was never clearer, faint fire stream
carved in pencil. I set down
notes in a pamphlet of poems
I held in my hand,
a book of the book.
David Lau is a poet and critic. His books of poetry are Virgil and the Mountain Cat, Bad Opposites, and Still Dirty. Recent poems appear in SS African Mercury, Trilobite, and Ariadne. His criticism has been published in Bookforum, New Left Review, and on the Poetry Foundation website. With Cal Bedient, he edits Lana Turner: a Journal of Poetry and Opinion.