Campbell McGrath
Summer 2024 | Poetry
Two Poems
Trigger Warning
This cultural artifact is composed of language,
a ductile material known to work
dramatic effects upon human behavior.
Hazardous devices herein include
hyperbole, alliteration, and direct address.
The wraith of metaphor haunts these lines.
Similes, like toxic run-off,
have leached into its groundwater.
This is a poem.
Prolonged exposure is certainly dangerous
and potentially lethal: symptoms may include
(but are not limited to) grief and wonder,
ruinous desire, soul-shaking bewilderment,
fine cracks in the foundation of your being
like spring’s fracturing handiwork
at the frozen fringes of a reed-edged lake
or the first, long-awaited signs of rupture
in the chrysalis from which you have struggled,
for so long now, to emerge.
Florida Farewell
1.
If I were a rich and patient man
I would buy up territory
in the Poconos and Blue Ridge Mountains
and wait, as the coastline drowns,
for the people to arrive.
Instead, I’m going down with the ship.
Do not mourn our passing—
Florida has always preferred
panegyric to elegy.
Celebration is among our given names.
Enjoy our little sensualist’s Eden
before it slips away.
Come touch the elephant, come
to ogle, come to gawk,
but try, behind your mirrored smile,
to profit from our demise.
Build on stilts, learn to ski,
find your solace
elsewhere than the sea.
2.
Into the ocean: one step, a dive,
and then:
impact—and then: transition.
What could resemble that
unsanctified baptism?
Going under
I scream into its otherness,
a howl of relinquishment, pure balm.
Encountering the incommensurable,
swallowed and swaddled,
resisted, reimagined, remade.
Nothing else in my distinctly secular life
ever whispered in my ear
that I was born for any earthly purpose,
nothing else instructs me
that we are destined for communion
with whatever it is the ocean is
or recalls in deepest memory.
3.
Still, there are those days,
the Gulf Stream
strewing its bounty upon the shore,
the color of the Atlantic in that gradient of light,
celadon and bottle glass and amber,
a perfect tincture I will cherish to the end.
Yes, Miami has ruined me
for any place less wastefully sublime,
a future of ecru and muted blues,
but do not weep
for what will be lost, do not add
a single teardrop to the flood.
Don’t bury me in the swamp
as the water table rises
or scatter my ashes across the sea—
let the ocean come to me.
Campbell McGrath is the author of twelve books of poetry, including Fever of Unknown Origin (Knopf, 2023) and XX: Poems for the Twentieth Century, a 2019 Finalist for the Pulitzer Prize. He has received many literary prizes for his work, including the Kingsley Tufts Award, a Guggenheim Fellowship, a MacArthur Fellowship, a USA Knight Fellowship, and a Witter-Bynner Fellowship from the Library of Congress. His poetry has appeared in scores of literary reviews, quarterlies and anthologies, including the New Yorker, Harper’s, The Atlantic, Poetry Ireland, and the op-ed page of the New York Times. Born in Chicago, he lives in Miami Beach and teaches at Florida International University, where he is the Philip and Patricia Frost Professor of Creative Writing and a Distinguished University Professor of English.