Christine Potter

Summer 2024 | Poetry

Please Explain

I used to think being a grown woman was like Bugs

Bunny done up in drag—complete with the instant

 

wolf whistle. I used to think there was an evening

gown waiting for me somewhere. I used to feel sorry

 

for men and their boring black shoes that all looked

the same. We got diamonds but they only got cigars

 

which they had to give to other men if their wives had

babies. My father had just one, cellophane-wrapped,

 

printed with It’s a Boy! in fancy blue script. It was on

his dresser for months. By the time I was old enough

 

for diamonds, I didn’t want them. How would I know

electric guitars were going to have anything to do with

 

my life? I’d wouldn’t have guessed I was meant to be

authentic, that I would never need a perfectly round

 

brass compact with a mirror inside it and a matching

tube of lipstick. Except sometimes I still want to wrap

 

myself up like a gift in a gigantic box and explode out

of it, arms thrown wide, singing a show tune I never

 

even heard (but my husband says is totally American

Songbook). How did those things catch me anyway:

 

the sequin-spangled dress, the ocean liner, the dark

water with its silver ladder rippling up to the moon?

Christine Potter lives in a very old house in New York’s Hudson River Valley.  Her poetry has appeared in Rattle,  Midwest Quarterly, Consequence, The McNeese Review, Big Wing, SWWIM, Autumn Sky Poetry Daily, Thimble, and was featured on ABC Radio News. She has a poem forthcoming in Tar River Poetry. Her time-traveling young adult novels, The Bean Books, are published by Evernight Teen.

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