Roberto Tejada
Winter 2023 | Poetry
Three Poems
Speaking Part
I leave something out another form of refusal the vacant field
arteries upright the brittle deciduous branches
my hands so far in the foreground cages and bleachers
shadow shape in woodland green awash in camouflage
pattern my twenty-first century combat desert fatigue
was it Monsiváis who wondered whether
we understand the manifest to mean
not always in agreement unlikely diagonals
at a distance in middle gradations
estimated time of arrival for the descending sky
in softer assertion where is the vanishing point
blue arrowhead maybe of negative space
in the cloud cover freed from my speaking part
I spindle and chant ash orioles of fire
face to face with my species in thick motility
little vial of neurotoxins tick ticking in the vault
now a whistle and bark now the larynx
contracting my legacy of cruelty and kindness
fourfold pattern of my appearance my ability
to oppose the function of persons in coherence
of a scene bursting at the surface I come close
except in passing am I brought to bear
Impasse
On land inclined to ignite I was given to wildfire
to night sweat to ash-covered
clocks incinerated
photographs. I attended the wakeful
recital now —triage arrest
distributive shock—
in the scales I pursued
from the school of aftermath
and hearsay.
I amplified
my refutation of the number
for alarm for the enabled
scenes of undeclared cargo
rumored to be gold
in hours for the eldest
and the undersigned.
I found myself
disowned or missing among
the persons I berated
but to whom I was beholden
relative to the sound
of something badly mired at the far
end of my faculties
last brief leading maybe already
led to the first abandon
and later admissions
in the years I delayed.
Was I
an embarrassment or danger
with my emergent properties
at the impasse and subject now
to no other law but to name
the orphan counseled in my care
and when to play the ocarina?
Macula
Left-hand collision akin to the binary stars
from a neighboring galaxy.
Right-handed x and x I met my mother
plyometric in our belligerent alliance
our society of assault. My father
heedless or headless but abracadabra
my optometry of sleep. Here is the handprint
and punishment when Jack be nimble
with my skin to the pledges of day in little
patches of sun a macula a monster.
I so delighted in cascades of light to counter
the Pleistocene age in fast-forwarding
tar pits the hills the hills the alleyway
my newsprint corduroy and cottonmouth
when Friday morning air-raid sirens bellowed
and I am every one of us in single file.
I’m of the earth convulsing in hallucinated headlights
and I stay within the dotted lines
alone at the end of the asphalt and beyond
the palm tree and sycamore in
proximity of broken windows where I wonder
whether God is condemnation no matter
the saint for the sake of my error. I was already
lost to fortuitous speed and so prone to accident
in exultation ahead of the mastodon age because
I am falling now from a branch of the loquat. ~
Roberto Tejada is the author of poetry collections Why the Assembly Disbanded (2022), Todo en el ahora (2015), Full Foreground (2012), Exposition Park (2010), and Mirrors for Gold (2006). His essays in Still Nowhere in an Empty Vastness (2019) craft a Latinx poetics on colonial settlement and cultural counter-conquest in art and literature of the Americas. His art and media histories include National Camera: Photography and Mexico’s Image Environment (2009) and Celia Alvarez Muñoz (2009), as well as catalog essays in Now Dig This!: Art and Black Los Angeles, 1960-1980 (Hammer Museum, 2011) and Allora & Calzadilla: Specters of Noon (The Menil Collection, 2021).