Lance Newman
Winter 2023 | Poetry
Five Poems
Console Wild
Canyon odysseys on LifeProofed® tablets
wind up at waypointed photo lookouts.
There’s just hills out there. It’s only darkness.
Tango for the LAN party guerillas.
My world’s people use virtual water
to dazzle your world’s lifeless consumers.
They click-bait Amazon’s slack-jawed masses
on smartphones that need gestural input.
I just don’t know if I’d recognize dawn
on a tablet where bayonets and drones
mutilate rows of groaning avatars.
My feet, my mouth, which one is up? Bodies
can be quite the self-propagating meme.
Would a trip to the augmented snow help?
Let’s summit a Microsoft peak after
breakfast. Let’s plunder our senses. Let’s play.
I want conversational images
and a nice natural interface please.
Siri reads my poems. She leads me home.
What wonders is she dashing off in there?
I’m just a voice in space pinned on the cusp
of surrender. Go ahead and comment.
Found: Objects
What is the human running gait on flat terrain
in the presence of food, disease, and biface tools?
Personal integrity means walking walking
through an anti-microbial wall of sound.
In Tallahassee the people study sinkholes
defined by the absence of skulls, of ash, of life.
Will we catch the meta-organisms that suck
our health? And when the pendulum contacts the ground
will we excavate the Gulf? Will we understand
that time has leveled ancient pits with lost species?
Either I’m stoned or this groove is inanimate.
Can we classify some artifacts: tusk, bone, chert?
Someone’s mission can be carrying animals
and plants uphill. Bipeds think soil’s a behavior
and climate’s a knife pulled through meat. Digging disrupts
the evidence. Science lumps fossils with waste flakes.
Factor in asthma and I’ll dive for mastodons.
What’s true of humankind is dirt, oceans, and bugs.
Earth Day
after Joanne Kyger
April sap rises
in optical fiber.
Pixely starlings pose
on a branch, mocking time.
My online narcissus
patch blooms with opinions.
The comments thread is all
about sex and surveillance.
Do I need permission
to open my umbrella?
Believe me, in the grave
ritual of cell phone
photos, a bad selfie
can sprout a crop of ashes.
I dream in formulas
and ache for a whiff of soil.
Imagine growing kale
through interrogations.
Gardens are to privilege
as poems are to memory.
Wait. This tune’s getting too blue.
Time to trot out a joke.
Will I know a local tree
in the retouched pictures I see
or fly in a nightmare
to a blurry white somewhere?
Another electric emotion.
My desktop’s as blank as the ocean.
Monitor Weather
after Amy King
Was I hit in a cyberbreach,
a Juneteenth license downpour?
Office webcams show thousands
of dead and wounded profiles.
On that particular Thursday
millions were hacking nighttime
power to detect storms on the grid.
I heard gunshots in the humid
wind of a celebration of rage,
a sprawling brushfire of data
timed for rush-hour traffic.
Some are drivers and some victims.
Should I risk a crowded online
mall to arrest the web police?
Not just anyone is peaceful enough
to tingle at the sound of software
raining suspects down like shells.
I ransom my customers during planned
outages and blame the breach on drought.
Resilience
Is water thinner when
depositing coastlines?
Do emails seek their own level?
School is a bright
current of self-excavations
rising to years of burden.
I make paper offerings
to an unknown sea
soaked with advice.
Does a century of stone
gates promise us home
when work floods cities
with slabs of understanding?
The usual countries
like their everyday rituals
while walls in the desert
remain walls and concrete
threatens fragments of water.
That other thick fabric,
writing, tries for a parched
rectangle of digital coasts,
managed for animal needs,
heaped with triaged patients.
How can I decide
when the mystery of patience
has sedimented my inbox
with old notes to self?
Lance Newman teaches literature, media, and writing at Westminster University in Salt Lake City,Utah. His poems have appeared in many print and web magazines, including 1913: A Journal of Forms, Beloit Poetry Journal, Blazevox, Dusie, Moria, No Tell Motel, otoliths, Queen Mob's Teahouse, saltfront, Stride, West Wind Review, and Zyzzyva. He has published two chapbooks: Come Kanab (Dusi-e/chaps Kollectiv, 2007) and 3by3by3 (Beard of Bees, 2010). He can be found here: https://www.lancenewman.org/