Gillian Conoley
Winter 2024 | Poetry
War 1
Infinity’s androgyny did it want a chance
this was the war for secrets were women allowed could anyone tell
horses wore gas masks, camels carried the infirm, mules
tried, elephants broke rubble with their trunks, pigeons messaged,
cats ate rats, canaries died or chirped back (“Stubby” was the dog who could salute)
fly swarms at Gully Beach
my fathers were once happy men, boy-childs posing in their swim trunks
back-to-back, clasping hands, spitting river water up out of their mouths like a public fountain
with force through their teeth for more height
the water dripped melon flow down the chin
the maps they folded curled site, furled time
to try to take this power to the next power
I slept beneath the pelt
typed the report
I was a daughter willing to speak in anyone’s father lingo
Miscreants, brotherly cocks,
ghost-colored cocks grown ashy in the fields
The muscled legs, arms, strewn in the forest the jungle the beach
The disarray of death was in the dissolution of the uniform
I was the daughter I had no definitive location
Seeking honor in the crisp peaks of my nurse cap
I began to straighten in the corpse fields
I picked up escalation
I covered hallucination with dirt
I released Eden
Like the earth I had tidal loyalties
Wherever I walked the body parts, the pigment, the bending grasses,
I knew I was a speck in the cosmos in every hour’s dry complicated hair
Gillian Conoley is a poet, editor, and translator. Often comprising narrative, lyric, and fragmented forms, her work takes up an inquiry into spirit and matter, the individual and the state. The author of ten collections of poetry, including Notes from the Passenger (Nightboat Books, 2023) Conoley received the Shelley Memorial Award from the Poetry Society of America, a National Endowment for the Arts Grant, and a Fund for Poetry Award. Conoley has taught at the University of Iowa Writers’ Workshop, the University of Denver, Vermont College, Tulane, and Sonoma State University. A long-time resident of the San Francisco Bay Area, she is editor of VOLT magazine. Her translations of three books by Henri Michaux, Thousand Times Broken, appearing in English for the first time, is with City Lights. Conoley has collaborated with installation artist Jenny Holzer, composer Jamie Leigh Sampson, and Butoh dancer Judith Kajuwara. https://www.gillianconoley.com/