Gillian Conoley

Winter 2024 | Poetry

War 1

  

Infinity’s androgyny did it want a chance

 

this was the war for secrets    were women allowed     could anyone tell

 

horses wore gas masks, camels carried the infirm, mules

 

tried, elephants broke rubble with their trunks,  pigeons messaged,

 

cats ate rats, canaries died or chirped back (“Stubby” was the dog who could salute)

 

fly swarms at Gully Beach

 

my fathers were once happy men, boy-childs posing in their swim trunks

 

back-to-back, clasping hands, spitting river water up out of their mouths like a public fountain

 

with force through their teeth for more height

 

the water dripped melon flow down the chin

 

the maps they folded curled site, furled time

 

to try to take this power to the next power

 

I slept beneath the pelt

 

typed the report

 

I was a daughter willing to speak in anyone’s father lingo

 

Miscreants, brotherly cocks,

 

ghost-colored cocks grown ashy in the fields

 

The muscled legs, arms, strewn in the forest the jungle the beach

 

The disarray of death was in the dissolution of the uniform

 

I was the daughter I had no definitive location

 

Seeking honor in the crisp peaks of my nurse cap

 

I began to straighten in the corpse fields

 

I picked up escalation

 

I covered hallucination with dirt

 

I released Eden

 

Like the earth I had tidal loyalties

 

Wherever I walked the body parts, the pigment, the bending grasses,

 

I knew I was a speck in the cosmos in every hour’s dry complicated hair

Gillian Conoley is a poet, editor, and translator. Often comprising narrative, lyric, and fragmented forms, her work takes up an inquiry into spirit and matter, the individual and the state. The author of ten collections of poetry, including Notes from the Passenger (Nightboat Books, 2023) Conoley received the Shelley Memorial Award from the Poetry Society of America, a National Endowment for the Arts Grant, and a Fund for Poetry Award. Conoley has taught at the University of Iowa Writers’ Workshop, the University of Denver, Vermont College, Tulane, and Sonoma State University. A long-time resident of the San Francisco Bay Area, she is editor of VOLT magazine. Her translations of three books by Henri Michaux, Thousand Times Broken, appearing in English for the first time, is with City Lights. Conoley has collaborated with installation artist Jenny Holzer, composer Jamie Leigh Sampson, and Butoh dancer Judith Kajuwara. https://www.gillianconoley.com/

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