Tom Vaux
Winter 2024 | Poetry
Three Poems
‘We depend upon our belief that light travels in straight lines.’
What can be trusted, given everything
then, given the curve, the bend,
how the sharpest shoreline of the dark
– go close – is mud of it, undetermined?
Light quanta slap your back a little hard,
friendly as a let-go briar.
It’s nothing observed, no glow
but that push that you look up for,
to your mud-silhouette’s surprise
in tain, drawn by flame from rearward side.
Why verify, turn from that second sight
of candle, having spied the fetch?
Don’t pretend it’s eagerness,
that there’s no dread that taper waits
unseen behind. The noose of certainty,
like that of love, grows tight.
Looking is not sight; ‘Seeing-
glass’ would not be a lie.
Clearer with or
without? How haunted is the phoropter?
It’s too dense with reliquae, the dirt
of more vision than even you could try.
Is green sharper or is red? The last line?
If there are walls they may be any shade
or closeness. Illuminate them, you might
see and touch white paper, on it
cowboys in red outlines,
their horses cutting capers.
And if you were to turn now, witness
no glent at all, and in looking
know it's you behind the silvering,
you are that reflected votive flame, pressed
by unlight that, alone, does not digress?
Pilgrims’ Ode
My home was a forest once, abatures
and hollow ways: now it’s all knock-down bricks
the colour of the leavings of the sick.
What if my bones jilt skin? Hunt a burnside
welcome, dear though not to me, congregate
in no silhouette I know, shog off through
bosk, take the Roman road to Kilburn Brook
where vowesses anticipate such knocks
on wood? Untaxed, the women won’t decline
dense this connected to white pallid that,
now here is the word: carp clave scape tib fib
innominate sacrum. Blast and cite and
manducate with great hydroxyapatite
to put on show their piety, escape
rigor, sign with rib and ulna, strident,
larynxless and silent. The penitance
of mineral. Justle to make known hope
in a jack-straw aspect of their outlines
at rest. Soon they’ll ford cowpissed waters with
typewriter kinesis. They are no atomy, standing
to off-beam attention, swaling in perpetual transit.
Iron in the scissure, signals below
past priory. So what now then if vitals
draw out to make themselves, and haul the miles
of snagging brack and footway, a ventral
sally to that cloister, raising a keen
nucleus like it’s an eye, straining blue
hawsers, wetly pleading for a little
xenia at the hour of their arrival
post-porrection? They too deserve a roll
of terms, though the litany's for us: spleen
colon gland caecum! Tell them there’s a shrine
at Saint Albans, another in Wielldun
beyond the shucks. And have others come past?
the insides can’t make themselves enquire.
It doesn’t matter. They will soon be gone
to settle flukelike in an empty sett
beside the trail, under soil, out of time,
liplessly saying of their hidden home
'This is where god lives.’ As if they make out
defunct spectacle and charity to come, premises
that are only aftermath, the age of appendices.
Finally the rent, human-shaped
hiatus, will take the routes,
go mount the state
amid the mysteries
of phone repair and one-use vapes
and cinema made megachurch
and north west too
and cakes and pertinent refuse
by bins, apexed
ziggurats of shit. I heard
you're nothing, you’ve
no struts or innard
parts, though you've yards to consider
still, although you're patient yet,
your handless hand outstretched,
frozen by the bus lane, no wet mist to give away where
you have no breath.
Spell for the Value Form
The warner told us it’s past time to do our worst
cause, ware, all stocks open to a vorago,
that is the curse. An ‘immense pile’ projects
up to hell. Emil said, Bring agon
to objects. Incorrigible
I know: he’s a one. It’s more
than you can say for us
husks, bearers. Stuff up
the gear with hate?
Pour we, but
we will
yet.
[these
minus
words are not
to be whispered |
they’re not put upon
paper | and are beyond
all goods because i say so |
we have nothing and its echoes
only | mouth them with your rawhead mouth
and gesture with yes bloody bones | expel
unsound | to render still and the clum devout |
what’s left to us is to form value for a spell]
Tom Vaux lives and works in London and Berlin. His poems have been published in the Australian magazine Island and the OSP Review.