Hana Widerman

Winter 2024 | Poetry

Three Poems

The Drive That Never Ends

Why can’t what happened to Aeneas
in the underworld happen to a daughter
and her father, between two brothers.
Take mourning away from the language
of epic, deal in our daily vernacular.
Give us three attempted embraces
with the person we love but can no longer
reach. A year ago driving through
the mountains of Oregon, my father
called out to the brother he hadn’t seen
in decades. Stanley. Stanley. Stanley. He’s here,
we need to pick him up
. My father didn’t stop
until fifty miles had passed, until we had left
the snow behind. All I could do
was drive while he yelled. I couldn’t
show my father my face. What do you call
this kind of grief? We cannot see all the ghosts.

Elegy Haiku

 

Because I had not

written a poem about

my father until

 

years later, I felt

I had failed him. Miso soup

with tofu and green

 

onions, rice and

pickled plum, it's easier

to find elegy

 

in the way I slide

a strand of my mother's hair

out of food before

 

she sees. My father

and his elegies, they turn

elusive like his

 

breath in the cold that

first time he wandered away,

falling fast asleep

 

under an unknown

tree during a Seattle

fall. I am asking

 

how to make this hurt

less. My father, every tree

I will ever see.

 

 

Atlas Dialogue: Winter

 

Snow dilates 

throughout this evening 

and falls so slowly. 

My desire reaches full diameter 

though I don’t know its object.

I’m chasing weight like a feminized Atlas. 

This is the only way I know

how to love. I become a mountain range. 

I remain a feeling being. 

Atlas, despite all your power, we’re the same. 

How you accepted punishment 

and stayed. 

Born to a Japanese mother and an American father, Hana Widerman is a poet originally from California. She graduated from Princeton University with a degree in English and Creative Writing and won the James Richardson Award in Poetry. She is currently an MFA student at Cornell University, where she was the 2024 recipient of the George Harmon Coxe Poetry Prize and a poetry editor of EPOCH. Her poetry appears or is forthcoming The Journal, The Threepenny Review, The Washington Square Review, The Offing, and elsewhere.

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