Anders Villani

Winter 2025 | Poetry

Three Poems

Amateurism (or Youth)

 

boy a work in progress      /

not work as in exercise

                         though this too      /      boy smoke

bees dream      /      boy’s name

                                                                                                                

sidereal      /      guttered candle      /      more

resistance than it’s worth

                                                           resisting      /  

 

not work as in piece of

                                                                    

though this too      /      boy voice

assonantly      /      boy’s name a wrecking

                                             ball meek as cannons

children climb      /      limbs cold

 

or hot as the bronze    /      scrape

-hoard under nails

                                             for after      /      not work as in master

 

though this too      /      this more

 

 

/      boy the transplanting of

 

feijoas from a front yard

to be slabbed into buckets     /      this fruit

                                             in wait      /      boy voice

 

/      boy the confidence of one

                                                         

word that won’t resist      /      one

heap of salt in a cast-iron pan

                                   nearer      /      nearer the mercury

at which it corrodes      /      purifies      /

 

not work as in absence

though this too      /      this less      /      boy

                         progress’s ghost      /      boy behind

 

the name in the water      /

 

 

Lilies

  

Now the weeds must be cut back

I can tell you—I lose sleep over time

 

cutting back my beauty. It’s not clear

what’s beneath it. Not clear there’s honour.

 

There may be peace beneath it. There may be the might

to admit I can change nothing, or not much,

 

which is a way to say peace. Every

girl my age gushed about how hot you’d be when you were older.

 

You were shy. Already worthless. It must’ve been tough,

choosing where your hands touched

 

your sundial as that praise nicked you

back to sham beauty. Back to me. I was talking

 

auras in a bath with a stranger. Cast-iron, outdoor tub.

Broth-clear night, tea lights, casuarina shadows, citronella-oil

 

lilies on the water. They saw mine. Felt it

as calm. I said shock. If you and I know anything

 

it’s how to dispute praise like an ice bath

is to lavishly hear it—that we are not not listening

 

may be our candle, our bond

in the back shed beyond beauty and guilt. They were eyeing me, my stomach

 

hairy like Dad’s, like yours, mossy

from their genitals. Were they seeing me as pure

 

object? Forget good brother. They were and

was that alright. It was all I wanted.

  

 

Cones

 

Silkworm, threading fine golden

shoulder hair into a shagpile rug

 

for hours in a trance, stripped even of nakedness,

slick with vanishing’s friction:

 

                       When has he dreamt?

 

When he saw the children with silk

          gaits approach, fall to their knees, hands

 

          drills for the hole from which they pulled dancing

worms and ate parts of them, learning disgust

 

was a pact, like money, like beauty.

Learning beauty. When has he swum upriver towards

as impossible a source as them?

 

When he smelled blackberry bush on fire.

When he saw grass threaded through a long-haired

 

cat’s shit as silk. Folks will be getting home. He should move.

Movement’s silkworms pinned

between orange cones, banned; the illicitness

 

of fanning a perch tail still

cool with life. When has he dreamt

                                 anything less than his life

 

that might let him see his life?

                       What silks would you thread from it

 

if you saw it, the rug asks, the black

-eyebrowed lover asks in a voice message.

 

Meaning: do this when you touch it.

Do unto silk as silk does unto silk.

Anders Villani is the author of two poetry collections, Aril Wire (Five Islands Press, 2018) and Totality (Recent Work Press, 2022). He holds an MFA from the University of Michigan's Helen Zell Writers' Program, where he received the Delbanco Prize for poetry, and a PhD from Monash University. Assistant poetry editor of Australian Book Review, he lives in Melbourne/Naarm.

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