Anders Villani
Winter 2025 | Poetry
Three Poems
Amateurism (or Youth)
boy a work in progress /
not work as in exercise
though this too / boy smoke
bees dream / boy’s name
sidereal / guttered candle / more
resistance than it’s worth
resisting /
not work as in piece of
though this too / boy voice
assonantly / boy’s name a wrecking
ball meek as cannons
children climb / limbs cold
or hot as the bronze / scrape
-hoard under nails
for after / not work as in master
though this too / this more
/ boy the transplanting of
feijoas from a front yard
to be slabbed into buckets / this fruit
in wait / boy voice
/ boy the confidence of one
word that won’t resist / one
heap of salt in a cast-iron pan
nearer / nearer the mercury
at which it corrodes / purifies /
not work as in absence
though this too / this less / boy
progress’s ghost / boy behind
the name in the water /
Lilies
Now the weeds must be cut back
I can tell you—I lose sleep over time
cutting back my beauty. It’s not clear
what’s beneath it. Not clear there’s honour.
There may be peace beneath it. There may be the might
to admit I can change nothing, or not much,
which is a way to say peace. Every
girl my age gushed about how hot you’d be when you were older.
You were shy. Already worthless. It must’ve been tough,
choosing where your hands touched
your sundial as that praise nicked you
back to sham beauty. Back to me. I was talking
auras in a bath with a stranger. Cast-iron, outdoor tub.
Broth-clear night, tea lights, casuarina shadows, citronella-oil
lilies on the water. They saw mine. Felt it
as calm. I said shock. If you and I know anything
it’s how to dispute praise like an ice bath
is to lavishly hear it—that we are not not listening
may be our candle, our bond
in the back shed beyond beauty and guilt. They were eyeing me, my stomach
hairy like Dad’s, like yours, mossy
from their genitals. Were they seeing me as pure
object? Forget good brother. They were and
was that alright. It was all I wanted.
Cones
Silkworm, threading fine golden
shoulder hair into a shagpile rug
for hours in a trance, stripped even of nakedness,
slick with vanishing’s friction:
When has he dreamt?
When he saw the children with silk
gaits approach, fall to their knees, hands
drills for the hole from which they pulled dancing
worms and ate parts of them, learning disgust
was a pact, like money, like beauty.
Learning beauty. When has he swum upriver towards
as impossible a source as them?
When he smelled blackberry bush on fire.
When he saw grass threaded through a long-haired
cat’s shit as silk. Folks will be getting home. He should move.
Movement’s silkworms pinned
between orange cones, banned; the illicitness
of fanning a perch tail still
cool with life. When has he dreamt
anything less than his life
that might let him see his life?
What silks would you thread from it
if you saw it, the rug asks, the black
-eyebrowed lover asks in a voice message.
Meaning: do this when you touch it.
Do unto silk as silk does unto silk.
Anders Villani is the author of two poetry collections, Aril Wire (Five Islands Press, 2018) and Totality (Recent Work Press, 2022). He holds an MFA from the University of Michigan's Helen Zell Writers' Program, where he received the Delbanco Prize for poetry, and a PhD from Monash University. Assistant poetry editor of Australian Book Review, he lives in Melbourne/Naarm.