Mirande Bissell
Winter 2025 | Poetry
Good Shoes
The Bull of Ciro Fernandes
We see something behind blood,
the red fabric fluttering,
his sex.
The dark he floats in
before a birth he won’t
reveal. No flag,
no nation of bulls,
nothing between us and the animal
but what we have hung
there. The artist
will not cover
the entire body
but leaves the beast’s coming
and his going
outside the sawdust ring
of combat.
May, the month I love
like a man’s back
and shoulders
revealed in light,
can’t reach me this time,
so I take the country roads to
travel
without relief, to have a good look at
the dirt
and what lives
just above it, almost always
the only car traveling—
and I slow to catch the eye of
the tawny calf
eager for shade
in advance of the coming
blaze,
his head pushed through the fence
boards, his buttercupped legs, his
throat uncut
like a boy’s.
Everything moves at the speed of light
The morning before the crash,
my train arrives
across from a military airport
where little planes of derring-do
loop in rising light.
In the first car, my heart hums,
porous, at the edge
of the depths.
I do not know why
I trust this voice
but I do.
The first car.
This is where the worst
of it happens.
I stand up and move back
a few cars.
That evening
through his kitchen window,
a seventh grader sees two trains
smash in the dark just south
of Silver Spring. A flash, a fire.
Smoke, and five inches of snow on
the tracks. Eight students die in the
first car.
People will tell you
there are no ghosts. No trains.
No snow. No morning.
Do not be afraid.
The Girls of the Future
What will they be named for if not
flowers downriver from us,
skunk cabbage on banks filling their thick,
purple wombs with swamp-children crushed
under the heel
of today’s girls, who tighten themselves in
plaster and canvas only to see themselves
seeing?
The girls of the future
will be exempted from disaster’s bus route,
their bones chalky like mountains. The sun
we’ve known
as gold and meat in heaven
will become their sun.
Farewell to our sun, we will say,
our grief a red giant.
The girls of the future won’t see
the final corona of our voices,
the smoke clear when their new life
slips from an old woman’s pocket and
vaults to the firmament
in song newborn groves
and serpents brighten to.
Mirande Bissell is a writer and teacher who lives in Baltimore, Maryland. Her first book of poems, Stalin at the Opera, was selected by Diane Seuss as the 2020 winner of the Ghost Peach Press Prize and was published in 2021.