Luke Johnson
Winter 2025 | Poetry
Two Poems
Tremolo
Today I’m stunned
by the marigolds’ movements.
How the whole town
seems to stop in awe
and wait until
the wind passes,
until the tunnel
we crawled through as children,
no longer howls and spits
and froths old foam of rain
on empty pastures,
where I watched my father
dig a hole once
and weep while dropping
a match on a mutt’s
snapped spine.
The field gone up in smoke
and the silence
that lingered there
long into daylight
draping the trees with death.
A dance, perhaps,
or inverted paradise.
How the resin rose
when wind blew
and faded as my father did
leaving a mound of dirt.
For years
I felt the floor shake
and if I pressed my ear
against the ground,
could hear her fearful growls
and whimpers
in need of just a sip.
Is death not more than a sip?
A boy walks by
with a blueberry ice cream,
turns to wave hello.
He’s come from the circus.
I know this
by the way he leaps
and believes each time
he leaves the ground
he’s capable of flight.
Swallows stitch the sky
and the marigolds cease
their movements.
He mirrors flight
with his chubby hands
and tosses what’s left
of the cone to the street,
a gift for some feral thing.
Malignant
before I bowl him over
bruise him
beat him beat him
and bang his head
against the blacktop
again and again
and yell god damn it,
as his skin bursts
and spills across
my palms and fingers,
my white shirt sleeve
and shorts,
I must first challenge
him in the box
and beg him once
to take a strong
stride and swing
at the split finger, the curve,
the rising fastball
and rage, yes rage,
of a meteor misting
an inch from his face
and spinning
in a vain pirouette,
to mock him,
make him feel small.
*
A man who once
made Nolan Ryan grin
as he greeted him
at a try out, said
can't throw the heat like you,
but watch it disappear
in the dust
like my mother, after booze,
when his belt
became a liberation
that freed his fingers
of hog farms and flies/of fear,
when storm light
rippled Houston fields,
where retired silos
crouched in wait and hummed
as sharecroppers
rose and thrust
and groaned and thrust
and returned
with hands curved
inward and crippled,
cracked
from pesticides, bleach.
*
I want to say something
of longing here.
How he'd watch the poor
make love in pain
and moan when burn
beget vibration
then whimsied like a ghost.
There began
his body. Touch.
To tempt a woman
out at dark
and tongue apart
her shame.
My mother tells me
he rarely spoke
or made love.
Would walk the house
at the witching hour,
as if someone
sang in static silence
and spun for him
while he studied them.
*
The spin, the vapor,
his mouth a wound:
the whiff, a strike,
fuck you. My father,
who once brought
squid home still alive
and cubed them on
porch, pathetic now.
Six months
from in the grave.
Luke Johnson is the author of Quiver (Texas Review Press), a finalist for the Jake Adam York Award, The Vassar Miller Prize, and The Levis Award; A Slow Indwelling (Harbor Editions); and Distributary (Texas Review Press 2025). Quiver was named one of four finalists for the 2024 California Book Award. Johnson was selected by Patricia Smith as a finalist for the 2024 Robert Frost Residency through Dartmouth College. You can find more of his work at Kenyon Review, Prairie Schooner and elsewhere.