Luke Johnson

Winter 2025 | Poetry

Two Poems

Tremolo

Today I’m stunned 

by the marigolds’ movements.

 

How the whole town 

seems to stop in awe   

 

and wait until

the wind passes,          

 

until the tunnel  

we crawled through as children,

 

no longer howls and spits   

and froths old foam of rain

 

on empty pastures,        

where I watched my father 

 

dig a hole once

and weep while dropping 

 

a match on a mutt’s 

snapped spine.

 

The field gone up in smoke    

and the silence

 

that lingered there 

long into daylight        

 

draping the trees with death.

A dance, perhaps,        

 

or inverted paradise.   

How the resin rose

 

when wind blew           

and faded as my father did  

 

leaving a mound of dirt. 

For years

 

I felt the floor shake  

and if I pressed my ear

 

against the ground,                  

could hear her fearful growls 

 

and whimpers

in need of just a sip.     

 

Is death not more than a sip?     

 

A boy walks by

with a blueberry ice cream,

 

turns to wave hello.        

He’s come from the circus.   

 

I know this 

by the way he leaps  

 

and believes each time 

he leaves the ground  

 

he’s capable of flight. 

Swallows stitch the sky 

 

and the marigolds cease 

their movements. 

 

He mirrors flight

with his chubby hands 

 

and tosses what’s left 

of the cone to the street,

 

a gift for some feral thing.


Malignant                                                

 

before I bowl him over        

bruise him 

 

beat him        beat him 

and bang his head 

 

against the blacktop 

again and again 

 

and yell god damn it,  

as his skin bursts 

 

and spills across 

my palms and fingers, 

 

my white shirt sleeve 

and shorts,         

 

I must first challenge 

him in the box          

and beg him              once 

to take a strong 

stride and swing

at the split finger, the curve, 

the rising fastball 

and rage, yes rage, 

 

of a meteor misting 

an inch from his face 

and spinning 

in a vain pirouette, 

to mock him,

make him feel small.

*

 

A man who once 

made Nolan Ryan grin 

as he greeted him 

at a try out, said 

can't throw the heat like you,
 
but watch it disappear

 

in the dust 

like my mother, after booze, 

 

when his belt 

became a liberation 

 

that freed his fingers 

of hog farms and flies/of fear, 

 

when storm light

rippled Houston fields, 

 

where retired silos 

crouched in wait and hummed 

 

as sharecroppers 

rose and thrust 

 

and groaned and thrust
 
and returned 

 

with hands curved 

inward and crippled, 

 

cracked 

from pesticides, bleach. 

 

 

*

 

I want to say something

of longing here. 

 

How he'd watch the poor 

make love in pain 

 

and moan when burn 

beget vibration

 

then whimsied like a ghost.

There began 

 

his body. Touch. 

To tempt a woman

 

out at dark 

and tongue apart 

 

her shame. 

My mother tells me

 

he rarely spoke

or made love.

 

Would walk the house

at the witching hour,

 

as if someone

sang in static silence

 

and spun for him

while he studied them.

 

*

 

The spin, the vapor,

his mouth a wound:

 

the whiff, a strike,

fuck you. My father,

 

who once brought

squid home still alive

 

and cubed them on

porch, pathetic now.

 

Six months

from in the grave.

Luke Johnson is the author of Quiver (Texas Review Press), a finalist for the Jake Adam York Award, The Vassar Miller Prize, and The Levis Award; A Slow Indwelling (Harbor Editions); and Distributary (Texas Review Press 2025). Quiver was named one of four finalists for the 2024 California Book Award. Johnson was selected by Patricia Smith as a finalist for the 2024 Robert Frost Residency through Dartmouth College. You can find more of his work at Kenyon Review, Prairie Schooner and elsewhere.

Previous
Previous

Megin Jimenez - poetry

Next
Next

Genevieve Kaplan - poetry