Bradley David Waters
Winter 2025 | Poetry
arma-fuma
Your petite fuming year parallels entire peoples who
don’t know there’s a war. Two wars. Three wars, a
pestilence, & dominion. Oh, I fume too; and don’t know
people at all. Once one of him is over, helicopters nearly
nesting into boredom, he roils peace with their gilded rotors.
Dusty boring peace bearing unnerving green sprouts. Boop:
pulse it in a blender. Whoosh: now it’s mayonnaise. Whipped
ponds of frog eggs, fields of unzipped cattle, horses boiled
hoof-wither-to-child. Serve them—islands & tribes, hide-
bundled families on a good year’s ice, even the safe warm
A-mer-i-cans—something they didn’t know they were missing.
Produce & progress tilled by man-kind’s latest missile. Look up at
what we named them for you: Dark Eagle, Mako, Rocks, & Arrow.
Slices of heaven buttered with quicker kills. We’ll know them, the
bustling snoozy folk, sickly thin or sloth-plump, & greet their
converting pride (lust, wrath, envy, & greed). We’ll know them
daily, the heathens, scraping fries from stainless steel troughs on
base cantinas. Oh, I know you. You look like the one from yesterday…
How’s your family? Is today’s catch fresh? And laugh at how we’ve
almost learned their hellos. I know a woman who reaches for
them behind drive-thru-cell windows. A man tethered by
sandwich bag ties to washed-up ducks. And the one about the
housewife tethered to her county, fraught with anx-i-ety. We know
her name, her other name, shoe brand, bra size, karaoke song, &
makeup line. We know her beef, her beef, her beef, her beef.
Her hello & goodbye. We practice it & we got it down. We got
her down. We switch her off and still we got her down.
Where was I now? How easy we forget where our brush left off
on the big picture. The big tube. The big whoosh & boop.
So much sense the way we start, devour, die for and forget.
Watch last season’s finale to recall the bad, the bad, the beef, &
the beef. The green pop of the champagne night drone. The
ballroom in the situation room. Watch party for a new desert
theater. Where hinges & troughs remember their ore. Bags &
bras remember their bog. And missiles hatched by papa on the
dancefloor bop & whoosh & return to the nest. Life booms back
full circle and we love its symmetry. Star-links & laser guides.
I don’t know many, but I remember you: spring green & bored,
unmanaged forest lazy with abundance & letting it fall about you.
You can’t hear it, but when a tree falls it sounds like a bomb, fumes
for a year, & rises as a tinted armoire. Good. You’ll be eligible for
fully-funded services then. Take up a small job; few hours a greeter.
Apron stuffed with foreign hellos, perfume samples, & a marker
that scans hundred-dollar bills for domestic terrorists: Hello, may I see
your receipt? Seed again today? Didn’t I see you yesterday? How’s your family?
Oh, I don’t know how you do it with all those people, but this morning
goldfinches arrived at the feeder. Must have been a brilliant million. And
like last season, like hungry sitting ducks, it was so easy to lock aim &
blast them out of sight. All it takes is one Dark Eagle. I arrive every
day to stretch my legs & buy supplies. Now that’s how you say Hello.
Now that’s how you say Goodbye.
Bradley David Waters is a writer of poetry, fiction, and essays. His work appears and is forthcoming in DIAGRAM, Denver Quarterly, The Los Angeles Review, Exacting Clam, and numerous other publications and anthologies. He is also the blended-genre senior editor at jmww journal. Bradley was raised in Northern Michigan and now shares space in California with his husband, dog, adopted poultry, and apple trees. Publications, images, and video readings at bradley-david.com