Marylyn Tan
Winter 2022 Edition / Poetry
Three Poems
Marylyn Tan
INTO THIS VOID, SOMETHING NEWBORN
for the serpents and the rocks
twelve days like twelve days like twelve rereadings of missed messages like twelve disciplined disciples like twelve darkly rent hearts of my heart limb from limb twelfth hour awaking bereft to recall the half-moon lowing in silver-stringed scything sorrow twelv
and
i know that sonofagod spent forty days and forty nights deserted with nothing / but a ballsack and attendant demon already our hair grows lank with disuse / throw me maiden monkey wrench / how am I so sick spit for your salving / if grandiose is this / pour me a witness
and
the only way out / is through / barbed-wire wood / cauterising each / strayward limb / baba yaga keeps the fire lit in her perimeter / ringed by sentinel skulls / I, too / we mastered the serpent / crushing it underfoot / but look again / stand upon your own tail / one most vital thing you know / seeping out a stillborn puddle / on which you can admire / the ungrateful haughty moon / a faint giggle
and
will these ants etch themselves into / picking slivers off / my bones? / every word is / en capsuled embodiment / meaning flaying words off of flesh / sweat saturated into skin / every second I miss / but a drop off unmarked back / the trickle / carves its way through / rock / unthinking I, too
and
even now / the void an unmistakeable chasm / not mistake / but hitch / a skip between breaths of a flat pebble making quick work of a body / still water / coming back for seconds / yes / I heard it / yes / everything / a petition paean psalm sent to hurl champagne at the gods / then wend its way back / to echo / through this / not slit but cavern
and
still obsessed / with urination / in public / still obsessed with / self as corpseflesh / still touching / each and every toe on the tip / to make sure I am here / as you are / me of my me / mnemosyne my constant lilting motherfather chrrrpy in the back of my mind / permanent cardiac stress test in the forefront / always the tiny palmed wide-eyed lurking littleteethed watching waiting / and another another
another day / by my side
I, too
BUTTERED GREED LIMPING IN THE SHUTTER OF HURT
I have many words for your body but no name for you.
the hallowed dust-stone, I covet even if I should take lashes for it if seal is broken do not eat freshness as imperative fleshness as interrogative these my pale wrecked hands apologising again we are fruiting these poisons from our nailbeds the final stake in the casket of glory a four-inch fruit blade embedded in our heads we can live with only intervene when the rust starts
a warning that you somehow heard and refused to break open with your fingers: this is not what you came here for
sit here with me every insectile wing dropping from our soft gape like a fine-toothed comb tell me who you are because still I know exactly which reasons you bring me each sunside report of polished pewter weather squared away beneath my ribs a collector’s assortment of tempered hollow bones every dusty museum exhibit has a split shriek taxidermied bird of paradise staring me glassy in the eye like so many hallowed petitions borne on the wings of incense
do you? take each layer lying prone away from the gauze-wrapped burn every individual bandage a menace
a cyclist’s quick-trigger whim spinning down the smooth road of my hunger hesitant sunlight worries at my cards cancelling all the headlines and spring break besides in a seasonless mirage
it’s no thing between two gods just canting rhythm between shards
tugging childlike on boating rope making no meaning but urgent
how do you disappoint yourself sit with me here in the lightless lunacy take up my empty mercy seat on its offer and wag heaven’s finger saying
don’t you dare cuss me out
it can get worse it can always get worse
in the end I spill you on a singer sewing machine misstepped thread each thrumming letter of your full name needlepoint I pick at old wounds with fresh anxiety I repeat your every syllable to me like it helps it helps
a lowing sigh at my baby’s behest nothing’s more metal than this the tabernacle is a solid excision I cannot approach a poorly bishop escaping through the diagonals having lost the plot
in the far end garden of evisceration the padi poultry bellies up spawn-kicking procuring new desecrations I wanted to press my face into the baptismal font like a health hazard
I wanted to come closer to a single thing I knew
earning nothing learning some
g*d made mud
g*d said to the mud, sit the fuck up.
mud sat up looked around and said
I don’t have anything but the whisper of a broken crossroad offering in the pleading streetlight no sense other than murdered I am putting off listening to the mixtape for just a little while
DID I KILL MY SHISO / IS MY ROSEMARY ALIVE
(giving thanks to Joy for the title)
my labdanum laudanum sternum
somewhere between opiate and ambergris
residing resin in a resigned chest
fetter me with a smokescreen of incense
gd fucking morning again warm sarsaparilla memory
the lamb of god is all, u won’t always
have me with u
but not me
two of wands steps instinctive
between
you and the fire. they told us it would
hurt and laughing openmouthed
we with all our teeth a toad fucked up
from the pointless questing
every day I am a word and that word is
I try not choking myself
for hours at a time
why is the measure of love loss? because, Jeanette,
of the constant low-level cardiac arrest. look
at the bone-carved exhaustion rolled in
bloodied tarp. at my dehydrated
summer and winded winter my fingers desiccated
in their wait
to tug curling autumn
time is pervasive fiction but
at the tipping velvet point all that you are a charred mark
falls away
does it cut it?
watching other people swallow?
if you’ve never
pressed your open palm to the singeing teppanyaki plate
don’t fucking approach if you’ve never
had a breastbone excised in an empty cathedral
place chicken breast side up on cutting board
with legs closest to you. gently pull leg
away from breast area slice along the
line that runs along the breast exposing
the flesh. set down your knife grab
whole thigh in your hand twist
away from the breast (like you are turning a
doorknob) popping the bone out of its socket
I’m so sick of prayers. so sick of feasts,
apoplectic skeleton bare-jawed decrying
no more talking about feelings
when this is all over
every day a single set. one heart,
three syllables, skein
of sibilant fricatives a stutter like clatter
water over wine
so it doesn’t kill
the succulents
isn’t all anyone’s afraid of
a real life miracle
Marylyn is a large-beasted, supple, queer, female Chinese Singaporean writer-artist whose proclivities are promiscuous and appetites indiscriminate. Her work aims to subvert, revert and pervert, and works to disrespect respectability and reclaim power. Her first child, GAZE BACK, is the lesbo trans-genre grimoire you never knew you needed, and made her the first woman poet (woet) to clinch the Singapore Literature Prize.