Shelley Wong
Winter 2022 Edition / Poetry
Three Poems
Shelley Wong
Radiant Architecture
with an ending by Reetika Vazirani
A French church burned. Three dragons are flying, all brothers.
When a poet dies, readers scroll out favorites, the greatest hits.
Many lament their departed teacher. A mentor. All of the mourned poets these days
are white. We watch all of this happen on a small screen. I lament the poems
by people of color I have yet to find, that were never written down,
only known or felt. The ghost poems. I admit my favorite church
is near the one that burned in Paris – the Sainte Chapelle – with its walls
of stained glass lace. I want to wear a dress like that, to be drenched
in jeweled light. Who will mourn when I go, whether I am on fire or quiet,
so quiet, or laughing, laughing and spitting. Who will survive to rule
the iron throne? I want the two dragons to do an intervention for the ice dragon.
For the women to let the men freeze. I am my own queen. Imagine me.
Postcard
Where my vowels can become a wave
—hello-oh-oh. I’ve forgotten how I came
to arrive in this town, but the radio
is playing my jam, so there’s someone in Maine
who has lived out my freestyle childhood
& perhaps I too once rode a unicorn
on the merry-go-round. When I wake up
my hair is a mess of waves—a head
full of sea. I bought a madras
summer dress since its colors echo
a plaid coat I had as a child. Sometimes
my poems spell out my name
along the seashore. Hello Atlantic
we meet again. Carry me, like the sun.
Lunar Eclipse
The silence of the moon
after a day with the sun. I am
in Florida, the state
with the prettiest name
& it is night & the driver
asks if I am from Japan
& I say no, I am from
California. & do I like
this music? It’s Drake
& somebody. I say
it’s OK. Your eyes
are like Japanese.
I am Chinese, but I’m from
California. & do I
have a boyfriend? Yes,
I lie. & is he here & I say
I’m traveling. & have you
had sex today? Or
love today? That’s
inappropriate. I would
have sex with you. If you are
looking for something.
Casual. I’m not
interested, thank you.
I like Chinese people.
I like you. He says
I am from Egypt
& I want to say
that is a very
old civilization,
like China. Some
Americans, they must
distrust you, think
you present a danger
to them. But I
don’t say these things,
& look out onto
the dark street – is there
a sidewalk. There is
a red light ahead.
I have tangerine juice,
bananas, pink
and white cookies
covered in frosting
and sprinkles. Food
for the week when I
will not have a car,
when I will be busy
with poetry. Should I
give them up. I am
wearing a short dress
and sandals, sturdy Spanish
leather sandals, I could
run in them. I gather
the keys between
my fingers. At what
point is screaming useful
or dangerous. When I scream
can I keep my eyes open
and remember his face
for it to be drawn later.
I look at his face & license plate
on my phone, losing
sense, in a fog
of cell phone gestures.
I look at the route
on the phone to check
that we are following
the highlighted path.
I look up if he is making
any sudden turns. Today
I strolled down a busy street
to walk into the Atlantic,
the sister ocean. I saw
maybe five people
who looked like me.
One of them eyed
my bare legs. I wore
colored stripes. I expected
more color in Florida.
It was colder, windy,
the temperature falling
to the low 60s by night.
I had a Hawaiian saraong
I used as a shawl. More
color. Purple and aqua.
Royal. Floral. I am
afraid in a tropical place
far away from the Pacific.
I grew up in love with
golden skin, mermaid
hair. Not the pale face
of a girl indoors, the smooth hair
resembling cut cloth.
Maybe the one perm
took hold. My tall hair
unorganized. I don’t want
him to look at my eyes.
I am sitting behind him
so he can see me
in the rearview
mirror. Do you
want a massage?
No, I am not
interested. He goes
through the gate
of the community
where I am staying.
Is this good or bad?
If he leaves, he can’t
come back, can he?
Did I pass it? Do I
leave now I think.
It’s back there, I say.
& he backs up. The house
has Christmas lights.
I gather my bags
in my hands & exit in
one motion. Do you
need help? No, thank
you, good night, I say,
& rush to the door
& shut the gate. I lock
the windows. I don’t peer
out the window
until late. There is
a super blood wolf moon
out tonight. It starts
at 11:20pm. It will be
on social media tomorrow,
says my host. We step outside
to see it, bright. I go
to sleep, touch the photos
in the morning. It was
the last lunar total eclipse
until 2021. Not that
far away.
Shelley Wong is the author of As She Appears (YesYes Books, 2022), winner of the 2019 Pamet River Prize. Her poems have appeared in American Poetry Review, Best American Poetry, Kenyon Review, and New England Review. She is the recipient of a Pushcart Prize and fellowships from Kundiman, MacDowell, and Vermont Studio Center. She is an affiliate artist at Headlands Center for the Arts and lives in San Francisco.