Shelley Wong

Winter 2022 Edition / Poetry

Three Poems

Shelley Wong

Radiant Architecture                                            

          with an ending by Reetika Vazirani

A French church burned. Three dragons are flying, all brothers.

When a poet dies, readers scroll out favorites, the greatest hits.

Many lament their departed teacher. A mentor. All of the mourned poets these days

are white. We watch all of this happen on a small screen. I lament the poems

by people of color I have yet to find, that were never written down,

only known or felt. The ghost poems. I admit my favorite church

is near the one that burned in Paris – the Sainte Chapelle – with its walls

of stained glass lace. I want to wear a dress like that, to be drenched

in jeweled light. Who will mourn when I go, whether I am on fire or quiet,

so quiet, or laughing, laughing and spitting. Who will survive to rule

the iron throne? I want the two dragons to do an intervention for the ice dragon.

For the women to let the men freeze. I am my own queen. Imagine me.

 


Postcard                                                                               

 

Where my vowels can become a wave

hello-oh-oh. I’ve forgotten how I came

to arrive in this town, but the radio

is playing my jam, so there’s someone in Maine

who has lived out my freestyle childhood

& perhaps I too once rode a unicorn

on the merry-go-round. When I wake up

my hair is a mess of waves—a head

full of sea. I bought a madras

summer dress since its colors echo

a plaid coat I had as a child. Sometimes

my poems spell out my name

along the seashore. Hello Atlantic

we meet again. Carry me, like the sun.


 

Lunar Eclipse                                                              

 

The silence of the moon

after a day with the sun. I am

in Florida, the state

with the prettiest name

& it is night & the driver

asks if I am from Japan

& I say no, I am from

California. & do I like

this music? It’s Drake

& somebody. I say

it’s OK. Your eyes

are like Japanese.

I am Chinese, but I’m from

California. & do I

have a boyfriend? Yes,

I lie. & is he here & I say

I’m traveling. & have you

had sex today? Or

love today? That’s

inappropriate. I would

have sex with you. If you are

looking for something.

Casual. I’m not

interested, thank you.

I like Chinese people.

I like you. He says

I am from Egypt

& I want to say

that is a very

old civilization,

like China. Some

Americans, they must

distrust you, think

you present a danger

to them. But I

don’t say these things,

& look out onto

the dark street – is there

a sidewalk. There is

a red light ahead.

I have tangerine juice,

bananas, pink

and white cookies

covered in frosting

and sprinkles. Food

for the week when I

will not have a car,

when I will be busy

with poetry. Should I

give them up. I am

wearing a short dress

and sandals, sturdy Spanish

leather sandals, I could

run in them. I gather

the keys between

my fingers. At what

point is screaming useful

or dangerous. When I scream

can I keep my eyes open

and remember his face

for it to be drawn later.

I look at his face & license plate

on my phone, losing

sense, in a fog

of cell phone gestures.

I look at the route

on the phone to check

that we are following

the highlighted path.

I look up if he is making

any sudden turns. Today

I strolled down a busy street

to walk into the Atlantic,

the sister ocean. I saw

maybe five people

who looked like me.

One of them eyed

my bare legs. I wore

colored stripes. I expected

more color in Florida.

It was colder, windy,

the temperature falling

to the low 60s by night.

I had a Hawaiian saraong

I used as a shawl. More

color. Purple and aqua.

Royal. Floral. I am

afraid in a tropical place

far away from the Pacific.

I grew up in love with

golden skin, mermaid

hair. Not the pale face

of a girl indoors, the smooth hair

resembling cut cloth.

Maybe the one perm

took hold. My tall hair

unorganized. I don’t want

him to look at my eyes.

I am sitting behind him

so he can see me

in the rearview

mirror. Do you

want a massage?

No, I am not

interested. He goes

through the gate

of the community

where I am staying.

Is this good or bad?

If he leaves, he can’t

come back, can he?

Did I pass it? Do I

leave now I think.

It’s back there, I say.

& he backs up. The house

has Christmas lights.

I gather my bags

in my hands & exit in

one motion. Do you

need help? No, thank

you, good night, I say,

& rush to the door

& shut the gate. I lock

the windows. I don’t peer

out the window

until late. There is

a super blood wolf moon

out tonight. It starts

at 11:20pm. It will be

on social media tomorrow,

says my host. We step outside

to see it, bright. I go

to sleep, touch the photos

in the morning. It was

the last lunar total eclipse

until 2021. Not that

far away.

Shelley Wong is the author of As She Appears (YesYes Books, 2022), winner of the 2019 Pamet River Prize. Her poems have appeared in American Poetry Review, Best American Poetry, Kenyon Review, and New England Review. She is the recipient of a Pushcart Prize and fellowships from Kundiman, MacDowell, and Vermont Studio Center. She is an affiliate artist at Headlands Center for the Arts and lives in San Francisco.

Previous
Previous

Arisa White - poetry