Summer 2023 | Poetry
Safia Jama
Three Poems
Heather
for Lucie Brock-Broido
Soft squares of pain
wall paper the desert sands.
Winnowing is a word I
rarely use, wishing it
weren’t so.
However, however. Heather is
also a girl’s name.
Not a woman, but a
girl, with feathery
hair.
Soft, soft is a pause
in Elizabethan.
Soft. And then antlers,
bleeding from the inside.
Leaning
gentle against the snow.
Meditation on Memory
It’s strange how things that happened before we were born
get braided into our consciousness—bits and pieces of
stories, passed down, like oddly matched furniture.
My mother, father, and brother, for example, escaping
Somalia is something I never witnessed,
and often forget it ever happened. The way my aunt
Janet wired my mother a lie, that their mother Mary was ill—
and my father, already out of the country, at a conference
on peace in Norway, let’s say—or maybe Belgium?
My mother must have had trouble sleeping in the nights
leading up to their escape—and she told no one save
Maryam, the woman who held and hugged my brother
through his baby years. My mother has told me little,
except that they left all the furniture, untouched,
and that she waited all night, holding her baby son
in a steaming Cairo airport, alone, running
from a military dictator who had began to jail friends
and close associates. It wasn’t safe. This story, too,
is braided into my childhood injuries, and that of everyone
in my immediate family. So when my husband and I parted
ways, it seemed natural to me to pack, as if, for a day trip,
telling no one save two friends, and my mother was angry.
“Why are you giving up that apartment?” she asked.
I couldn’t explain, really. I only knew I had to leave.
Snow makes us taller
I said to the young couple,
or young friends out walking a white fluffy Chow.
I stood on a foot bridge overlooking the frozen lake—
half-ice, half-slush.
That was my first good walk in weeks,
maybe a month.
The railing, the guards,
the bridge had
shortened—
“Snow makes us taller,” I thought again,
out walking this morning. I walked
into the snowy park,
into mid-life.
Mid-day, I waited where last summer,
the lake was alive—ducks, milling around,
out on dates, or in squadrons.
Now the water was covered up—
I waited.
A woman and her
curious dog appeared.
I take myself on walks the way
other people walk their dogs.
I stare into bushes and sniff leaves.
“She wants to know what you see,”
said the woman.
“What’s under that snow?” I said,
and she laughed and they left.
I turned home, guessing nature had slept late.
Then I heard the tap, tap, tap.
Then I heard the cry of the woodpecker.
Then I saw a young raccoon creep out of
a tree to drink from the stream.
Then a blue jay flew, back and forth,
across the scene.
Then a squirrel bounded into the
powder, heroically, face-first.
Then a flock of sparrows peppered
the sky.
Then I saw the ladder-back with a
red cap, tap, tap,
tapping that freezing
tree—my eyes
had to half-imagine
the intricate
design—the zebra stripes
and tailored feathers.
Nature likes an audience,
like anyone. To be welcomed,
and seen.
Nothing demanded
in return.
Safia Jama was born to a Somali father and an Irish American mother in Queens, New York. A Cave Canem graduate fellow, she has published poetry in Ploughshares, Boston Review, World Literature Today, Spoken Black Girl, and Poem-a-Day. Her poetry has also been featured on WNYC’s Morning Edition and CUNY TV’s Shades of US series. Jama was a semi-finalist in the Pleiades Press Editors Prize for Poetry, and she is the author of Notes on Resilience, included in the New-Generation African Poets chapbook box set (Akashic Books, 2020). Her full-length poetry collection, Crowded House, is forthcoming from Beltway Editions in 2023.
Safia recommends: Cutting through Spiritual Materialism by Chögyam Trungpa, and the film: Showing Up by Kelly Reichardt.