Harryette Mullen
Summer 2024 | Poetry
Three Poems
Damage
The future of mankind is underwater. It’s not on Mars.
If you ask people to name something underwater, it’s going to be sharks,
whales, Titanic.
—Stockton Rush
Back to this scene they find their way by instruments destroyed, left to
rot. Immortal Titans give birth to ruthless gods who overthrow their parents to
rule on Mount Olympus. This is the place, disaster curving their
assertion. A mountain of ice breaches the hull of Titanic. The unsinkable ship,
fragile debris on the deep-sea floor. Ribs of disaster, evidence of damage.
The thing they came for. Reckless captain rushes speculative craft Titan to
observe the wreckage of Titanic. See the damage that prevails. Resistant to
corrosion in seawater, titanium is an element found in stars and meteorites, and
in most living things. With five onboard, Titan cracks under pressure in ocean’s
crushing depth. They came to explore the wreck. To see the damage.
Laser Focus
Believe in yourself and anything is possible.
—Elizabeth Holmes
In the movie adaptation, who plays the character you created? In your blazing
trajectory, your role was comic-book genius, marvelous mortal of super-vision
planning to /rule/ save the world. You kept a laser focus on audacious goals, your
wishful thinking so compelling, it attracted billions. Disgraced director, plausible
performer, styled in signature wardrobe, hair, and makeup. Leaning in, with
unwavering attention to /image/ management, you /lied to everyone/ blurred the
facts while keeping yourself in the black.
Powerful men gazed into your unblinking eyes, mesmerized by your laser vision,
concentrated energy aimed at a point in the distant future. You, the living image
of a sphinx, captivated followers with a blank alluring stare, converting them to
believers in your glossy cover profile. Hoping to repair an altered soul, you were a
boldfaced pretender driven by ambition, guided by a singular vision, with a
conviction you could make it work no matter what.
Sonnets Composed on Loo Roll
Frozen on screens where we post photos of obese pets. Yes, the lockdown’s led to
boredom. Left more people to become morose loners, loose screws, web-net trolls,
pestered preppers or clever self-helpers. The fever's felled others, left them sore or
worse. More holes to complete, fewer zones of comfort or good cheer for those who go
solo. Less hope for broken folk who love freedom yet, to echo hollow words, foreswore
the shots. Not one network show ever offers foolproof methods or controls to prevent
fever, so less room for error. Competent composers offer sorrow songs performers croon
to soothe over notes of trombone, cornet, or oboe. Then follow broke poets whose
strophes open whole new tropes for lovelorn sonnets. To boost the mood, we seek good
news yet seem to be tormented, lost, depressed doom-scrollers. Do we, woebegone,
forget how to feel better? We see how well we fend, or not, when bedroom or corner
closet becomes the spot to hold school lessons, host zooms for work, or throw remote
hoedowns. Who remembers there’s no roof to cover the homeless who sleep on
concrete? Do we, however less contented for the moment, see who’s left even more
bereft?
Before now, ever wonder who controlled the flow of goods sent to store shelves from
Denver to Boston, Fort Worth to Compton, Toledo to Provo, Rochester to Oshkosh? So
the lockdown’s when we lose the connect to grocers who sell wholesome foods we’ve
seen on screen where modern chefs show how to cook. Then other goods—gone. Soon,
when we shop, there’s no root beer or coffee, no popcorn, pretzels, Cheetos or Oreos. No
fresh corn on the cob, no dozen brown-shell eggs or frozen omelets. No pesto or orzo; no
noodles, eggrolls or wontons; no porkchop, goose or lobster. So too, no tooth powder,
poodle groomer tools or spot remover, no flesh-colored hose or essence of rose. Then, oh
no, the worst, no Cottonelle. Who knew who sent the goods whenever, wherever,
however we needed? So often we do not see those men or women who move the food,
tote those boxes, stock these shelves. Yet we depend on them to get the goods stores sell.
We most don’t know who does those jobs. We know, nonetheless, we’ve got to get food,
got to order lots more goods. Oh yes, we need loo roll, too.
Harryette Mullen’s latest books are Open Leaves/poems from earth (Black Sunflowers Poetry Press, 2023) and a critical edition of her poetry, Her Silver-Tongued Companion (Edinburgh University Press, 2024). A new collection, Regaining Unconsciousness, is scheduled for release in 2025 from Graywolf Press. Others include Recyclopedia (Graywolf, 2006), winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary (University of California, 2002), a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. A collection of essays and interviews, The Cracks Between What We Are and What We Are Supposed to Be (University of Alabama, 2012) won an Elizabeth Agee Award. In 2013, Graywolf published Urban Tumbleweed: Notes from a Tanka Diary. She teaches courses in American poetry, African American literature, and creative writing at UCLA.