Erin Murphy
Summer 2024 | Poetry
Two Poems
Insomnia Chronicles XI
The night is full of insomniacs Googling insomnia. Inhale for eight seconds, exhale for six. Or maybe it’s six then eight. I like to wander through the grocery store of my mind choosing items in alphabetical order: asparagus, broccoli, chocolate. An article says American chocolate tastes like sawdust that’s been drowned in sugar and soaked with baby vomit. One cat between my ankles, another nuzzled at my side, a third off somewhere else, maybe nestled by a vent. My husband’s breath, how I hold my own to hear his, especially when he’s sick. Sometimes I roll over and touch him and he startles but then we find the dark pockets of our desire. Not groping exactly—more targeted. Heat-seeking missiles, the efficient pleasure of long marriage. There are not enough foods that start with D. What does baby vomit taste like? Dill, donut…The pang of what I said today and twenty years ago what I didn’t say. Micro-regrets. At a bar, we chatted with a man who had pocked cheeks and a bird’s nest beard. He wore the uniform of western Pennsylvania: flannel shirt, jeans, work boots. Turns out he has 23 indoor cats and spends $400 a month on food, not counting the litter for 13 boxes. Most of them was feral, he said. I couldn’t just let ’em freeze. The bartender leaned in for a whiff: And he don’t even stink like cats.
Shitshow
Shitshow should be one word
is a thought I’ve had at least
three times this week. Not
shit [stop] show as the dictionaries
and AutoCorrect insist. What
do they know? Shit is not modifying
show—it is the show and the show
is shit: tarry dung, inexorable
excrement. Yesterday, for example,
we saw an elderly man try to exit—
I know, I know disembark—
a luxury sailboat. Unhinged on one side,
the sliver of dock became,
with each step, a horizontal see-saw,
the already unsteady man teetering
left right left. Those of us sipping
margaritas at the nearby tiki bar
gasped but didn’t help. Collectively,
we did that thing where you faux lunge
with no intention of actually budging.
Sure, class was at play—a man
with a toy worth more than the homes
some of us were lucky enough
to almost own. Not it, not it.
Who among us didn’t secretly want
to see this Thurston Howell III pitch
into the brackish bay below? Which
of us was the show, which the shit?
Erin Murphy’s work has appeared in Ecotone, Diode, Waxwing, Guesthouse, Concision, Rattle, Women’s Studies Quarterly, and elsewhere. Her latest books are Human Resources (forthcoming from Salmon Poetry) and Fluent in Blue (forthcoming from Grayson Books). She is professor of English at Penn State Altoona and poetry editor of The Summerset Review. Website: www.erin-murphy.com