Cynthia Atkins
Summer 2024 | Poetry
Grief
I have come to accept begrudgingly
that grief has no dress code, it doesn’t
knock, no, it barges through the door—
Discord squeaks the hinges, it deliberately
bumps up against the furniture, lets you know
who is the boss of this turf. It pretends to keep
banker’s hours, but never stands on ceremony.
At any threshold, it will interrupt
your small moments of joy, with sneery aplomb.
Grief used to meet me after dark, when all the kids
left the street to go home and take their baths.
It brought the moon to my doorstep to rub
it’s tinctured glow, like a wet dog rolling in dew.
I am stoic. I am measured. But now I know grief
is the first cousin to euphoria. It blows up all the air
in the room. It will drag you through the mud, shake
and knock you down.
A captive audience, it looks you
straight in the eye. Grief sits at every empty
place at the table. It brushes your hair by lamp light.
It takes you by the throat and steals your alphabet.
Words become empty holes. When you test the waters,
when you burn your mouth, it’s quiet as a prayer.
Once, I tried to suck it down with a vacuum cleaner,
so that I could scream the demon out,
as my child slept in the other room.
Cynthia Atkins (She, Her) is the author of Psyche’s Weathers, In the Event of Full Disclosure (CW Books), and Still-Life With God (Saint Julian Press 2020), and a collaborative chapbook from Harbor Editions, 2022. Her work has appeared in many journals, including Alaska Quarterly Review, BOMB, Cider Press Review, Diode, Green Mountains Review, Indianapolis Review, Los Angeles Review, Rust + Moth, North American Review, Permafrost, SWWIM, Thrush, Tinderbox, and Verse Daily. She earned her MFA from Columbia University and has earned fellowships and prizes from Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts, The Writer’s Voice, and Writers@Work. Atkins lives on the Maury River of Rockbridge County, Virginia, with artist, Phillip Welch and their family. More work and info at: www.cynthiaatkins.com