Kim A Jensen

Summer 2024 | Poetry

Watch in Full [i]

a documentary poem

On January 11, 2024, South Africa opened its historic genocide case against Israel in the International Court of Justice at the Hague.

 

1.

If my insides were visible through the pores of my eyes     if the curtains drawn wide     the panes

cleared      if I wasn’t crying so much      if I hadn’t lost sight       the witness in the mirror could see

I am not dancing I’m shaking     like a vessel rattled     by the burning matter     it was made to carry

 

2.

Here    there are no corpses only stories      here nothing explodes

in the sky above hollow shopping malls    glazed with rain      in America

most white people over the age of sixty won’t take my flyer      they don’t want the information

I assure you the facts before the court today are even more stark       even high school girls

with nose rings from Claire’s want to know        what’s happening with their tax dollars 

 

3.

More stark      more shocking more rapid more alarming     more brutal          than what

we’ve seen in history    if you can imagine    frighteningly unprecedented         in my dream I said

I never knew a graveyard could be that large      granite headstones for miles     entire cities

in ruins    upon waking I jot snippets of the proceedings    care not available   genocidal intent evident 

large scale homicidal destruction    homes schools mosques churches hospitals    incontrovertible  

decomposing bodies left where they were killed      slow excruciating deaths      trapped under the rubble

 

4.

Incontrovertible    we have the footage   we have the statements    the evidence the precedent

the motive the means the intent the record the plans the weapons the casings the burns the

unmedicated    amputations    we know     who made the first-degree decision   to cut off water food

fuel aid medicine    everything that makes human life possible   a few weeks in November and a whole

city is leveled     a sky should be punctuated only by clouds

so you can see how far it goes

 

5.

This season has been an X populated by shadows   the number of children who will never

be born    genetic codes that won’t travel on[ii]         trees that won’t sift the sun into smaller

and smaller particles        the catalogue of things that can’t be counted      weddings quarrels couches

roses limbs books rabbits     poets and their fragments[iii]      newborns whose hearts stopped     the

business as usual that could not be    (stopped)     two words we will never

be able to say again [never again]    the headcount of those who bear witness     

the relative few      who will watch in full

 

6.

Whoever stays until the end will tell the story[iv]


[i] Watch in full: First day of ICJ hearings in South Africa's genocide case against Israel in Gaza

 

[ii] According to a joint statement by 70 UN Ambassadors in November more than “50 entire families have been

wiped off the population registry in Gaza.”

 

[iii] Poets and writers killed in Gaza: https://lithub.com/these-are-the-poets-and-writers-who-have-been-killed-in-gaza/

 

[iv]These words were written by Dr. Mahmoud Abu Nujaila on a whiteboard normally used for planning surgeries. Working with Doctors Without Borders (Medecins Sans Frontieres — MSF UK), he was killed by a strike on Al Awda Hospital in northern Gaza on November 21st. The same strike killed another MSF doctor, Dr. Ahmad Al Sahar, as well as Dr. Ziad Al-Tatari, a doctor working with Al Awda. Other medical staff were severely injured.”

 

Kim Jensen is a Baltimore-based writer, poet, educator, and translator who has lived in California, France, and Palestine. Her experimental novel, The Woman I Left Behind, about a turbulent love affair between a young US student and a Palestinian refugee was a finalist for Forward Magazine’s book of the year. Her two collections of poems, Bread Alone and The Only Thing that Matters were published by Syracuse University Press. Active in transnational peace and social justice movements for decades, Kim’s work has been featured or is forthcoming in Gulf Coast, Anthropocene, Modern Poetry in Translation, Decolonial Passage, Transition, Anomaly, International Human Rights Arts Festival, Another Chicago Magazine, Electronic Intifada, Mondoweiss, Extraordinary Rendition: Writers Speak Out on Palestine, Gaza Unsilenced, Bomb Magazine, Sukoon, Mizna, Revista el Humo, Left Curve, Liberation Literature, and many others. In 2001, she won the Raymond Carver Award for short fiction. Kim is currently Professor of English and Creative Writing at the Community College of Baltimore County, where she co-founded an interdisciplinary literacy initiative that demonstrates the vital connection between classroom learning and social justice in the broader community. 

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