Stephanie Ellis Schlaifer
Summer 2023 | Poetry
Men arrived on horseback
and built an obelisk
It is good to stake your claim with
a dick in the sand
Everyone checking their butts in the mirror
Nice!
Looking back, aren’t you just reliving the story?
The [nazis]
were never going to look
like [nazis] the [second time] around
You can’t go home, etc., etc., etc.
More harem pants
More acid wash
More gradient
More girl on girl
More fluid filtering
Point to your invisible mark on the pendulum
Gaze at your shadow in the sand
Check out my dick in the mirror!
Blood on the birthstool Blood at every threshold
Pharaoh, Pharaoh, let my maidenhead go
Written in response to works in Description de l’Egypte.
Originally from Atlanta, Stephanie Ellis Schlaifer is a poet and installation artist in St. Louis. She is the author of the poetry collections Well Waiting Room (Fordham University Press, Editor’s Prize, 2021), and Cleavemark (BOAAT Press, 2016), as well as the children’s book The Cloud Lasso (Penny Candy Books, 2019). Her poems, art, and criticism have appeared in or are forthcoming from numerous journals, including Bomb, Bennington Review, Georgia Review, Harvard Review, Iowa Review, AGNI, Washington Square, At Length, The Offing, LIT, The Wilson Quarterly, Colorado Review, Ploughshares, and the Poetry Foundation. Schlaifer was the runner-up for the 2019 Iowa Review Prize, and she has received grants from the Regional Arts Commission and the Mid-America Arts Alliance with her collaborative partner, Cheryl Wassenaar. In 2016, she served as the Greyfriar Writer-in-Residence + Living Literature Series at Siena College. She frequently collaborates with other artists on works that combine language and visual art.
Stephanie recommends Leopoldstadt by Tom Stoppard,. Me and You and Everyone We Know, directed by/starring Miranda July, and All the Pretty Horses by Cormac McCarthy.