Jimmie Cumbie
Winter 2023 | Poetry
Three Poems
Behold the Man
It’s strange how many still come to ask about him. They shuffle down the beach by my boat or hover outside my door. Ex-soldiers. Sunburned wanderers lit from within. I know that light. After all this time, they want to know what he was like. I thought it was over and done. Some cosmic joke. As soon as they came to arrest him, I knew. I took the road back north that same night. No goodbyes. Now they say I’m the last one alive who travelled with him in those heady days.
Worn from rowing, we’d haul our leaky boats onto the beach after sundown, after it had cooled and quieted. Away from the crowds and trouble, we built a fire, shared what we had—a few strips of lamb to braze, always making sure Mary got the best piece. Some nights, after a few swallows of wine, he settled in, warmed himself by the fire. We wouldn’t have to press, he just talked, told stories about snakes and fishing at night in that low voice full of hot silver.
We all strained to hear him tell of wild times on the river with The Baptist. When news of John’s murder reached us, we knew our days were numbered. The Rebbe told us it was John who showed what charity meant. He said, “say your life burns down around you, maybe you drink too much, are consumed by lust. Say you gamble and lose everything you have. Your wife takes the baby and moves back home. How do you go on? You give away what’s left in your net.”
Let There Be No Mistake
you have to dance
even if it cuts everyone around you have to put on your mask turn it up and dance
you imagine the neighbors down below
bitch and hiss
but sometimes you have to dance until your face turns blue
take your shirt off boy
run a knife across the belly of your arm
throw an open can of tomatoes through the long-loosened screen
dump your Die Waulkurie disks down three flights into the alley
watch them shatter way too softly for your taste
before walking to the corner of Ashland and Montrose
to Rayann’s Liquors
they may not like your condition
or your pajamas but they’ll take your money
and give you something
to help you dance longer
on the walk home take a picture
of the blurry chandeliers in the antique lamp shop
throw a laugh to the plastic deer in some panopticon courtyard
for strays
and dance into the house
if anyone gave a fuck about you they’d just go buy
you a gun
your dad is dead now all gone
your son hanging
out with the feelings doctor
the bill collector is on the line
dance to that hot breathless song that kills it soft then loud
dance your way right out of joint custody
dance until the bells ring on Sunday
it’s ugly
you’re ugly
but dance until there’s no one left around
get in touch with your tired inner sponsor
call him after a few drinks and slur dance awhile cheek to cheek
in some hotel room for mommy-abused boys
make no mistake it’s the only time
your tongue gets loose and hot enough to speak
Catch and Release
I open
the hatch.
Leo stows his new Zebco rod,
runs back upstairs to grab his hat.
My now grown son.
Exhaust drifts up
through the taillights.
I smoke too.
It helps pass the between-time.
It’s quiet.
I blew up
my life once.
Taped it back together.
I don’t pray
as much as I did back then.
Insects hover, zing back into the dark.
Maybe that’s it,
all the tape,
the crinkly feel of tape,
the open seams where the breeze
infiltrates. It’s holding, I’m holding on, but fishing,
this whole thing,
it’s about fishing
and the comfort
of a crop report
on predawn radio.
I could still end it—
what a chicken-shit thought.
I tried,
kept breathing. Onward.
Here he comes.
That rush of good feeling again.
The wind is blowing hard enough to wind up the oaks.
Creamy waning moon, bruised craters sailing,
held up in the branches for the length
of an inhale or two or three or four—
and we’re off.
Out on Lake Shore Drive
we relax into it,
the excitement.
He gabs about his mother,
tells me she’s on medication.
Strung out on the pandemic, his senior year,
his impending departure
into life.
Every time
we take this trip, I mark it,
compare it to the past.
The hovering fogs over corn fields.
The longnose river gar rotting on caked pebbles.
The albino rat nosing through trash.
It’s all very small, isn’t it?
It’s just fishing from the bank,
the same spot,
the same river.
It’s complicated, but
thinking small has become habit,
become reflex. What,
who, to blame?
Childhood? The shitty hometown?
Again? Doesn’t matter.
The boy’s going to Namibia in a month.
I tell him his mother will be okay.
Lake Michigan churns, cold silver in the dawn.
I tell him how that Deco tower looming
above the Drake
used to be Playboy HQ,
used to have bunny ears and a big rotating searchlight.
You could see it all the way from Indiana.
Blowsy times. No,
Chicago ain’t what it was.
You get to a point
where you could say that about anything.
But Lake Shore Drive is always grand,
and I’m with my son.
We’re off to get the big one.
The one that strikes
when you’re looking elsewhere,
the one that leaves you shaking,
the one you release,
because,
because.
Jimmie Cumbie’s poems have appeared in numerous online and print publications, most recently in ITERANT, North American Review, Plume 9, Sugar House Review, Midwestern Gothic, and Spillway. He lives in Chicago