Jimmie Cumbie

Winter 2023 | Poetry

Three Poems

Behold the Man

 

It’s strange how many still come to ask about him. They shuffle down the beach by my boat or hover outside my door. Ex-soldiers. Sunburned wanderers lit from within. I know that light. After all this time, they want to know what he was like. I thought it was over and done. Some cosmic joke. As soon as they came to arrest him, I knew. I took the road back north that same night. No goodbyes. Now they say I’m the last one alive who travelled with him in those heady days. 

 

Worn from rowing, we’d haul our leaky boats onto the beach after sundown, after it had cooled and quieted. Away from the crowds and trouble, we built a fire, shared what we had—a few strips of lamb to braze, always making sure Mary got the best piece. Some nights, after a few swallows of wine, he settled in, warmed himself by the fire. We wouldn’t have to press, he just talked, told stories about snakes and fishing at night in that low voice full of hot silver. 

 

We all strained to hear him tell of wild times on the river with The Baptist. When news of John’s murder reached us, we knew our days were numbered. The Rebbe told us it was John who showed what charity meant. He said, “say your life burns down around you, maybe you drink too much, are consumed by lust. Say you gamble and lose everything you have. Your wife takes the baby and moves back home. How do you go on? You give away what’s left in your net.”

 

 

 

Let There Be No Mistake

 

you have to dance

 

even if it cuts everyone around you have to put on your mask turn it up and dance 

 

you imagine the neighbors down below

 

bitch and hiss

 

but sometimes you have to dance until your face turns blue

 

take your shirt off boy

 

run a knife across the belly of your arm

 

throw an open can of tomatoes through the long-loosened screen

 

dump your Die Waulkurie disks down three flights into the alley

 

watch them shatter way too softly for your taste

 

before walking to the corner of Ashland and Montrose

 

to Rayann’s Liquors

 

they may not like your condition

 

or your pajamas but they’ll take your money

 

and give you something

 

to help you dance longer

 

on the walk home take a picture

 

of the blurry chandeliers in the antique lamp shop

 

throw a laugh to the plastic deer in some panopticon courtyard

 

for strays                  

 

and dance into the house

 

if anyone gave a fuck about you they’d just go buy

 

you a gun

 

your dad is dead now all gone

 

your son hanging

 

out with the feelings doctor

 

the bill collector is on the line

 

dance to that hot breathless song that kills it soft then loud

 

dance your way right out of joint custody

 

dance until the bells ring on Sunday

 

it’s ugly

 

you’re ugly

 

but dance until there’s no one left around

 

get in touch with your tired inner sponsor

 

call him after a few drinks and slur dance awhile cheek to cheek

 

in some hotel room for mommy-abused boys

 

make no mistake it’s the only time

 

your tongue gets loose and hot enough to speak

 

 

 

Catch and Release

 

I open

the hatch.

Leo stows his new Zebco rod,

runs back upstairs to grab his hat.

My now grown son.

Exhaust drifts up

through the taillights.

I smoke too.

It helps pass the between-time.

It’s quiet.

I blew up

my life once.

Taped it back together.

I don’t pray

as much as I did back then.

Insects hover, zing back into the dark.

Maybe that’s it,

all the tape,

the crinkly feel of tape,

the open seams where the breeze

infiltrates. It’s holding, I’m holding on, but fishing,

this whole thing,

it’s about fishing

and the comfort

of a crop report

on predawn radio.

I could still end it—

what a chicken-shit thought.

I tried,

kept breathing. Onward.

Here he comes.

That rush of good feeling again.

The wind is blowing hard enough to wind up the oaks.

Creamy waning moon, bruised craters sailing,

held up in the branches for the length

of an inhale or two or three or four—

and we’re off.

Out on Lake Shore Drive

we relax into it,

the excitement.

He gabs about his mother,

tells me she’s on medication.

Strung out on the pandemic, his senior year,

his impending departure

into life.

Every time

we take this trip, I mark it,

compare it to the past.

The hovering fogs over corn fields.

The longnose river gar rotting on caked pebbles.

The albino rat nosing through trash.

It’s all very small, isn’t it?

It’s just fishing from the bank,

the same spot,

the same river.

It’s complicated, but

thinking small has become habit,

become reflex. What,

who, to blame?

Childhood? The shitty hometown?

Again? Doesn’t matter.

The boy’s going to Namibia in a month.

I tell him his mother will be okay.

Lake Michigan churns, cold silver in the dawn.

I tell him how that Deco tower looming

above the Drake

used to be Playboy HQ,

used to have bunny ears and a big rotating searchlight.

You could see it all the way from Indiana.

Blowsy times. No,

Chicago ain’t what it was.

You get to a point

where you could say that about anything.

But Lake Shore Drive is always grand,

and I’m with my son.

We’re off to get the big one.

The one that strikes

when you’re looking elsewhere,

the one that leaves you shaking,

the one you release,

because,

because.

Jimmie Cumbie’s poems have appeared in numerous online and print publications, most recently in ITERANT, North American Review, Plume 9, Sugar House Review, Midwestern Gothic, and Spillway. He lives in Chicago

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