Kerry Carnahan
Winter 2022 Edition / Poetry
"I left one eye behind, wandered down..." from "Morning After Halloween"
Kerry Carnahan
I left one eye behind, wandered down
to fields I didn't plant on land I don't own,
out north the limits of my heart, I saw
rows of flutes already snapped off, broken night-
sticks jutted crazily out of hard furrows
but the corn I didn't recognize . . .
now under a wrong bridge I am night air
dying to get tongue kissed
where our shadows jackknife. It's wild raspberries
my embryos sort of resemble as they drop to soft earth
one by one, while I grow hotter in failure
resembling a star. Slip
out this ancient military coat of grief with me
like a child done with dress-up
and that coat falling from your body evaporates into no
coat worn by nobody, but that child's a deer
disappearing into snow falling on branches. It's
an important failure, Dubya H might've wrote,
that I can't shake, shivering as we are, half a million
before the UN at noon February 15 2003,
zip-tied on a curb unwipeable sweat stinging our eyes
on August 31 2004, smashing out Military Science
windows on May 6 1969 in a college town, last
Monday rinsing nerve agent off a stranger's mucus membranes, I
don't presume to live happily,
nobody I know does, people are dying, brother's
marriage a shambles, friends made refugees
and who with credulity could blame any soul thieving a
fentanyl vial for a few drops of absolute peace,
poets got nothing on pharma. Oh
I don't know anything. Rudy Giuliani's
been busy, likes of sure wasn't farting around
in my brain, boy I tell you place
looks like cattle feedlots what with it manned
and barricaded any which way you turn,
sometimes a dream comes unkettled it's a miracle, then there's
dreams fought their way in, by now place seems— differnt,
but differnt like Leo first learning that word: "diff-rent" well
guess that's not differnt, in-laws taught him, maybe's
embarrassed how we talk already but
it's like sun's coming up in his voice and baby that's a
definition for you, and oh sweetheart maybe too
you'd like to behold livestreaming heaven in somebody's face
tad bit more often, I knowt's hard to
get a signal, I feel the reception very poor
right now. Sad how Dorothy Gale
when she feels trapped heads straight for the corral,
now tell me— if I really want to get free do I go
pissyass singing about rainbows n corraling my own damn self?
Oh now there I go shitposting my own lyric
anyway what's the take on Dorothy,
conjure of Gilded Age génocidaire L Frank Baum
who as a boy at Rose Lawn each night prayed to Jesus
his soul to keep, closed his eyes and was
strangled by cracked ragged hay settler childern in fields
smoking with shell casings and corn husk guts,
wonder if they thought about the Wizard of Oz my grandfathers,
probably never even saw it, probly wish
they never saw no Kansas field too. I ponder
what histories we ghost and still we think ourselves alive
and from a Catholic cemetery by the stubble
at the crux of a cardboard cutout of some 48 states
a grave grassily instructs me, Child,
it says Child bury two words, one to cover each our ears,
we who set fire to our own houses to quit the wind's shrieking
but save the middle finger for the railroad, save
opinion for another culture, what you
cant do without fold into a damp teacloth
and fetch to the harvest without asked,
walk your elegizing, our elegizing, six miles to the neighbor's for calomel,
dont sow identity in the landlord's fields, dont
forsake remains of a peasant constitution
and I wanted to shout What are you still dying for?
Cash grain? A share in the wars? Man amounts to something
tell you you sivilized?
But I didn't, run your mouth at a gravet's
liable to swallow you whole. This one it kept talking,
drunk, chawing some fruit country hype
while eyes no more lifted than custom I didn't shout
What you bartered away memory for, this patch of dirty snow?
and the grave isn't screaming Plenty starvation
death and madness to go round help self!
Instead some verses it quoted then halfhearted forgot
as I did me a yoga of cleansing breaths til my
breath got up disgusted, crossed the gravel and lay
down heavily in the shade of a historic marker I couldn't
scan because my gaze went blank. No
not our normal nonperformative look I mean real blankness—
by then I was just horsehair tangled,
uncoalesced freckles stuffed with alfalfa,
and the grave now a recorded message said Should
you meet your straw effigy in a poet's eye
don't waste you a lucifer . . .
I'm sick of this dust. What I'll return to's probly wind—
already I whistle, sshit shrieks in my teeth like panpipes, couldn't
I gust strewing sand and green nut boughs, gold foil con-
dom wrappers, various grits raining upwards
into dark clouds I've seen kind of woman?
No, I wouldn't want that. To
be legible from the moon.
Kerry Carnahan is from Kansas. She is the author of the chapbook The Experience of Being a Cathedral (Lettuce Run Books, 2021). www.kerrycarnahan.com