Sarah Crewe
Winter 2022 Edition / Poetry
Three Poems
Sarah Crewe
i held a dying fish in the palm of my hand
it was less resurrection&more rigor mortis
seven springs seven autumns a sprightly finned
gingerbread watched a fluctuating shape
assemble pans of assorted tastes colours&
nonsense marceline the freshwater queen
to place with the stanley park dahlias
or the newsham park lake the latter was chosen
lex taps the awkward pause out into the sink
why are you telling me this a clown reborn as an
author not yr therapist not bobby chariot but a
serious writer ascetic& morally incorruptible
y’know it’s about tenderness lex i reply it’s not
all acerbic ebullition he narrows his eyes
rotates retorts girl are you sure it’s just
the fantail you’re upset about we both say
subtext we both say
jinx
uncle i am tracing the lost pubs of battersea with mark hollis
the ghost in his voice
a voice that transcends everything
burning tyres car crash viewing
the expression of sarcastic joy
in binman’s collars &colours
the orange as a furnace
the denim as a chrysalis
the betting shop as a relic
of a former demographic
this process of crossing the streams
as a collaborative effort
to hold our nerve with fragmented
text with fragile party lines
with footwork that suggests a certain
inclination reactive response
to return as a bird a chiffchaff
council house&furious
is the area haunted or
are we just hunted is the
body politic cauterized
or are we just unutterable
the city of the dead
is very much alive tautological
like plenty more fearful dread
dirty cash& stage fright
where else but stoke newington
secret policeman’s ball fodder
frogmarched through amberglow&
the aura of anna mendelssohn
acorn squash artichokes the heart
of social enterprise feminist
endeavours abandoned chapels
the sect of the state against
the cult of the living
the turpitude of wanting
extra time prepare a sigil from
a skeleton mask a slippery
beermat write a ritual from
surreptitious lactose a passing
green cadillac
the hope of serendipitous
avuncular encounters
Sarah Crewe is a working class feminist poet from the Port of Liverpool. She is the author of two poetry collections, garn and floss (Aquifer Books, 2021/2018). Her latest work is ego te absolvo, (Gong Farm, 2021) a sequence of poems on The Exorcist. She also produces mazie, a DIY zine of music reviews and poetry. She has a MA in Poetry as Practice from the University of Kent, with a thesis on working class women's psychogeography in experimental poetry: the work of Geraldine Monk and Maggie O'Sullivan.