Leanne Ruell
Winter 2022 Edition / Poetry
Three Poems
Leanne Ruell
Avoidance
I’m observing napkins fall to the floor
like one giant and easeful mental collapse
soaring inside a slo-mo judo kick
inside a conditional liminality
which allows for comfort anywhere
What’s the analogy
An injured bee crawls off a needle
onto my thumb
in a vacant Walmart parking lot
and flies away It’s wearing
four tiny sneakers All I can say is
help The bee turns back and climbs
into my ear I’m watching you it says
Thank you I say remembering that morning
being slumped in a chair
when a runner passed the window
and my soul tried to leave
Sorry I said to it
you’re stuck with this piece of
counter-culture right here
Come on and float within
the hole of my structure
Let’s get dead as an after-party
I said to the soul
let’s become that bee of poems
and fall inside a bigger space
where the sound of a level one
organism is that song
Requiem for Dying Mothers
which really brings it home
I’m going to use the word angel here
All this goddamned floating
and still nothing hits
Can I just get taken down
and into a new information
able to penetrate through my foam helmet
This is a love poem requesting
that we not be bee’d and nectar’d into holiness
I want the person stuck underneath the staircase
of your brain I want
Everyone and Everyone
it is almost certain
that I love you
and I’ve got nothing to be upset about
It’s just that all this waiting gets me anxious
Cave Logic
A phantom carcass of light is inside
this old t-shirt A crystalline car
is smashing beautifully
I am very calm and unused to the new way
of eulogizing the Dark Lord
I have dismembered romantically
Arcana is in our midst and yet
at the grocery store I am bound
by chains of fruit inside thought-bubbles
disappearing without knowing
the true source of any origin
*
There are garden tombs containing real life
and I’m afraid of them
There is garden dust which remembers when I lived
as the rain like a cowboy at the peak of his life––
I’ve been exposed
to rebel angels traveling back in time
discerning their beginning form
despite the climate change crisis they
propel to the base of the earth
and snap back like a song
deep inside a cave
No one is afraid of the angel
who sweats a little
who dive-bombs the dead earth
like a savior on fire
like a martian exiting the real mars
from inside of the mars we think is mars
waving a flag with pride and not surrender
having no orifice to see out of
and moving just the same
like a drunk mother at the edge of an ocean
who feels the angel wearing a leather helmet
plummeting from the sky
and so swims out to the angel
the angel being her sister
having traveled from Florida
How does anything happen?
I dug the leather helmet out
of the risen grave set it to sail
like a shrunken token passed
along an invisible line
There is no water here but something billows
inside the glamour of a basic function
The sequined triumph of looking up
the ephemera of spirit tripping
along the sidewalk unsure of how to present
As such everything is visible
The spirit under the wheel
asking to be less and less
until it knows what to do
asking how to stop
a feeling from giving you what you want
Conversation in the Robotics Room
You are a myth without reference. We high-five un-ironically inside the evolution device. A lording human body made up of all human bodies shakes its fist at the sky. We’re high-five-ing with our free hand. The body hurts but no one feels dead.
*
Nothing is as fashionable as the divide or the lust growing inside me. Watch me disintegrate behind the glass. The man and the woman fall inside a big hairy hole. The man is eating phantom brains and getting punchy. The woman is very good at becoming another thing behind the glass. The woman is glass under glass, inside the hole, which is like being a country-less government ransacking the universe, while the universe only ever sees itself, violent and expanding and hungry for pleasure. The woman is the poem, present and unreachable. The man is inside the woman, also unreachable. The poem is also the poem when it sees itself as the donkey in pearls, when it sees itself from the perspective of the pearl as being inside the eye of the donkey, afraid it may only be a pearl.
*
You stream in the mind. Archaic models of the ways you once functioned blow though the device. You yourself, the apparition appearing among them. HomeStore emails shiv the cloud above your bed. Your dreams are dusted with a quivering confetti made of old money. The pill is a slow-release across the spectrum of solicitation dependency. The confetti is a sad whisper falling inside your sleeping mouth.
*
Feeling foolish in the rigid cloud of your being will not cease for you. You were an impulse purchase. You are a blinking light inside the boarded up soviet-era warehouse. You are a beautiful blinking baby in the extraterrestrial landscape of post-indulgence. Your creation immortalizes time. You cannot be decided against. Your creation is a salvage yard. You are enraptured by plasticized isolationism. You are a blinking light within my eye. My eye is moving away with you. Slowly we are making our way to the New Order. We are in love with the computer-less sky.
Leanne Ruell believes that love exists as its own origin point. Praise (love in) the void, surely moving all by itself. She now lives in Vermont with Greg and Theo and works for the Ruth Stone House as a grant writer and assistant editor of the journal, ITERANT.