Okwudili Nebeolisa
Summer 2024 | Poetry
Three Poems
BECAUSE
Because I was not certain if my mother
was getting any better, if the pain
was abating, if the swelling
was receding, if she was sleeping better
at night, especially because
we lived on different continents,
the guilt did not miss me. Sometimes, I hoped
it would and nursed a fresh guilt for hoping.
I just wanted her to talk about the things
she would have talked about if she didn’t
have cancer. I wanted to hear
what it was like haggling prices for pieces of beef
at the market, tasting the garri
before deciding to buy, exchanging jokes
with the sellers so they would bring down the price.
I just wanted to know there was still
the possibility of us talking
about other things that wasn’t the thing
that might eventually do her in.
OPEN WINDOWS
My dear, leave the windows open, let in
the light; I’m not feeling well today.
Maybe it’s the rain. My father, in his last days,
disliked this kind of day, would stay
in bed and drink hot ginger tea
to warm his heart; my father who
in the harshest harmattan would head out
to his yam farm. My dear, please hold my hand,
I cannot seem to stand on my own.
Chemo has undone my bowels;
I have to visit the toilet again.
All my meals will get cold; if I eat,
I may have to find someone to get me
out of the bed, walk me to the bathroom
and then get me back to the bedroom.
Everyone keeps saying I haven’t come
to the end and I can only wonder about
the deficiencies of their best intents.
Do they not think I may want to rest
like my father, who struggled in bed,
who when I hurried in to save his life, said
I should allow him to die? Do they not think
that while I kneel before my bed, praying
day in day out, mumbling to myself, I may
be trying to unravel the code to life with the hope
that I will ironically find that of death?
THE JOKE
Out of frustration at our complacency
with disorder, my mother liked to joke
that a day would come when she
would not be around to make sure
that dinner had been taken out of the fridge to thaw,
to wash my father’s clothes, to wake me
every morning to prepare for work.
I still remember the night I came home
to an unusually quiet house,
the sitting room empty, the two candles
on my mother’s altar casting long shadows
of the ceiling fan on the walls
and on the sofa, vaguely implying
that it had not been long since my mother
and sister finished saying their night devotion.
In her room, my sister was trying to smother her sobbing,
probably pressing her face into her pillow,
while my mother tried to console her:
Even though the doctors had labeled the growth
in her thigh as cancer, my mother said,
it did not mean she was going to die.
There, in the darkness of my sister’s bedroom
while my mother told her to stop crying,
I could already imagine the house
without our mother in it: the sitting room
littered with my books, my brother’s shoes,
my father’s newspapers, all of us unable to sleep,
the house a mango savagely eaten to its kernel.
Okwudili Nebeolisa is the author of Terminal Maladies (Autumn House Press, 2024), winner of the 2023 Center for African American Poetry and Poetics Prize. He is a graduate of the Iowa Writers' Workshop and is currently an MFA student in fiction at the University of Minnesota. His poems have appeared in Cincinnati Review, Image, New England Review, Sewanee Review, and Threepenny Review.